sab ik charaghh ke parvane hona chahte hain ajiib log hain divane hona chahte hain
Poetry Collection
Shama
A lamp burns all night and spreads its light silently. No one cares what the lamp suffers through to spread that light. No one even bothers to think about how it faces the dark night to do what it is destined to do. Poets have used the lamp as a strong metaphor in their poetry. They have also elaborated the symbolic relationship between the moth and itself and in this process, they have commented upon the philosophy of life itself that is characterized both by deprivation and fulfillment.
Total
29
Sher
29
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ai shama teri umr-e-tabii hai ek raat hans kar guzar ya ise ro kar guzar de
the poet uses the metaphor of a candle to illustrate the brevity of life, noting that its entire existence is limited to just one dark night. since the end is inevitable and the time is short, the poet suggests that complaining is futile. it serves as a philosophical reminder that while we cannot control the length of our life, we can choose our attitude towards it.
tu kahin ho dil-e-divana vahan pahunchega shama hogi jahan parvana vahan pahunchega
bahadur shah zafar likens the lover’s heart to a moth drawn to a candle. the idea is that true desire and devotion have a natural pull: distance and obstacles cannot stop them. the second line strengthens the first by giving a familiar image of irresistible attraction. the emotion is steadfast longing, even if it risks pain or burning.
shama ke manind ham is bazm men chashm-e-tar aae the daman-tar chale
parvanon ka to hashr jo hona tha ho chuka guzri hai raat shama pe kya dekhte chalen
main dhundh raha huun miri vo shama kahan hai jo bazm ki har chiiz ko parvana bana de
khud hi parvane jal gae varna shama jalti hai raushni ke liye
the moths got burned in their own plight the flame just burns to shed some light
parvane aa hi jaenge khinch kar ba-jabr-e-ishq mahfil men sirf shama jalane ki der hai
jaane kya mahfil-e-parvana men dekha us ne phir zaban khul na saki shama jo khamosh hui
shama bujh kar rah gai parvana jal kar rah gaya yadgar-e-husn-o-ishq ik daaghh dil par rah gaya
khayal tak na kiya ahl-e-anjuman ne zara tamam raat jali shama anjuman ke liye
parvane ki tapish ne khuda jaane kaan men kya kah diya ki shama ke sar se dhuan utha
vo shama kare fakhr bhala khud pe to kaise dahliz pe jis ki koi parvana nahin hai
nazron men tasadum dil men chubhan ik shama hai ik parvana hai donon hi men baten hoti hain avaz ka lekin naam nahin
shama ka shana-e-iqbal hai taufiq-e-karam ghhuncha gul hote hi khud sahab-e-zar hota hai
ye charaghh-e-anjuman to hain bas ek shab ke mehman tu jala vo shama ai dil jo bujhe kabhi na jal ke
sahar ke saath hoga chaak mera daman-e-hasti ba-rang-e-shama bazm-e-dahr men mehman huun shab bhar ka
shama mashuqon ko sikhlati hai tarz-e-ashiqi jal ke parvane se pahle bujh ke parvane ke baad
shama par khuun ka ilzam ho sabit kyun-kar phunk di laash bhi kambakht ne parvane ki
raat us ki mahfil men sar se jal ke paanv tak shama ki pighal charbi ustukhan nikal aai
sab ik charaghh ke parvane hona chahte hain ajiib log hain divane hona chahte hain
ai shama teri umr-e-tabii hai ek raat hans kar guzar ya ise ro kar guzar de
the poet uses the metaphor of a candle to illustrate the brevity of life, noting that its entire existence is limited to just one dark night. since the end is inevitable and the time is short, the poet suggests that complaining is futile. it serves as a philosophical reminder that while we cannot control the length of our life, we can choose our attitude towards it.
tu kahin ho dil-e-divana vahan pahunchega shama hogi jahan parvana vahan pahunchega
bahadur shah zafar likens the lover’s heart to a moth drawn to a candle. the idea is that true desire and devotion have a natural pull: distance and obstacles cannot stop them. the second line strengthens the first by giving a familiar image of irresistible attraction. the emotion is steadfast longing, even if it risks pain or burning.
shama ke manind ham is bazm men chashm-e-tar aae the daman-tar chale
shama mashuqon ko sikhlati hai tarz-e-ashiqi jal ke parvane se pahle bujh ke parvane ke baad
parvanon ka to hashr jo hona tha ho chuka guzri hai raat shama pe kya dekhte chalen
yuun to jal bujhne men donon hain barabar lekin vo kahan shama men jo aag hai parvane men
mat karo shama kuun badnam jalati vo nahin aap siin shauq patangon ko hai jal jaane ka
cast not blame upon the flame it doesn’t burn to sear the moths are
parvane aa hi jaenge khinch kar ba-jabr-e-ishq mahfil men sirf shama jalane ki der hai
shama par khuun ka ilzam ho sabit kyun-kar phunk di laash bhi kambakht ne parvane ki
jaane kya mahfil-e-parvana men dekha us ne phir zaban khul na saki shama jo khamosh hui
shama bujh kar rah gai parvana jal kar rah gaya yadgar-e-husn-o-ishq ik daaghh dil par rah gaya
khayal tak na kiya ahl-e-anjuman ne zara tamam raat jali shama anjuman ke liye
parvane ki tapish ne khuda jaane kaan men kya kah diya ki shama ke sar se dhuan utha
vo shama kare fakhr bhala khud pe to kaise dahliz pe jis ki koi parvana nahin hai
nazron men tasadum dil men chubhan ik shama hai ik parvana hai donon hi men baten hoti hain avaz ka lekin naam nahin
shama ka shana-e-iqbal hai taufiq-e-karam ghhuncha gul hote hi khud sahab-e-zar hota hai
ye charaghh-e-anjuman to hain bas ek shab ke mehman tu jala vo shama ai dil jo bujhe kabhi na jal ke
sahar ke saath hoga chaak mera daman-e-hasti ba-rang-e-shama bazm-e-dahr men mehman huun shab bhar ka
raat us ki mahfil men sar se jal ke paanv tak shama ki pighal charbi ustukhan nikal aai
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