Poetry Collection
Urdu is not merely a language; it is a culture and represents a way of life. This language has brought people together and has had a huge following ever since its evolution. Urdu poets have quite often expressed their admiration for this language and its larger appeal. You may like to read some of them here.
Total
49
Sher
47
Ghazal
2
Is collection se writer-diverse top picks for quick reading.
nahin khel ai 'daghh' yaron se kah do ki aati hai urdu zaban aate aate
dagh dehlvi stresses that writing or speaking refined urdu is a serious art, not something to be taken lightly. the phrase “aati hai... aate aate” suggests slow, hard-won attainment through practice and lived experience. beneath the boast is a warning and a humble truth: real eloquence takes patience, discipline, and maturity.
saliqe se havaon men jo khushbu ghol sakte hain abhi kuchh log baaqi hain jo urdu bol sakte hain
chand-chehre mujhe achchhe to bahut lagte hain ishq main us se karunga jise urdu aae
baat karne ka hasin taur-tariqa sikha ham ne urdu ke bahane se saliqa sikha
vo itr-dan sa lahja mire buzurgon ka rachi-basi hui urdu zaban ki khushbu
vo urdu ka musafir hai yahi pahchan hai us ki jidhar se bhi guzarta hai saliqa chhod jaata hai
shusta zaban shagufta bayan honth gul-fishan saari hain tujh men khubiyan urdu zaban ki
apni urdu to mohabbat ki zaban thi pyare uff siyasat ne use jod diya mazhab se
shahd-o-shakar se shirin urdu zaban hamari hoti hai jis ke bole mithi zaban hamari
urdu ke chand lafz hain jab se zaban par tahzib mehrban hai mire khandan par
abhi tahzib ka nauha na likhna abhi kuchh log urdu bolte hain
'mulla' bana diya hai ise bhi mahaz-e-jang ik sulh ka payam thi urdu zaban kabhi
haan mujhe urdu hai punjabi se bhi badh kar aziiz shukr hai 'anvar' miri sochen ilaqai nahin
ham hain tahzib ke alam-bardar ham ko urdu zaban aati hai
urdu hai jis ka naam hamari zaban hai duniya ki har zaban se pyari zaban hai
bachpan ne hamen di hai ye shirini-e-guftar urdu nahin ham maan ki zaban bol rahe hain
urdu hai jis ka naam hamin jante hain 'daghh' hindostan men dhuum hamari zaban ki hai
the couplet is an assertion of linguistic pride and ownership: the poet presents himself (and his circle) as true connoisseurs of urdu. “dhoom” signals public resonance—urdu’s sweetness and expressive power have created a stir throughout the land. the emotional core is self-assured celebration of a language as a marker of identity and cultural presence.
ajab lahja hai us ki guftugu ka ghhazal jaisi zaban vo bolta hai
mire bachchon men saari adaten maujud hain meri to phir in bad-nasibon ko na kyuun urdu zaban aai
saikdon aur bhi duniya men zabanen hain magar jis pe marti hai fasahat vo zaban hai urdu
nahin khel ai 'daghh' yaron se kah do ki aati hai urdu zaban aate aate
dagh dehlvi stresses that writing or speaking refined urdu is a serious art, not something to be taken lightly. the phrase “aati hai... aate aate” suggests slow, hard-won attainment through practice and lived experience. beneath the boast is a warning and a humble truth: real eloquence takes patience, discipline, and maturity.
urdu hai jis ka naam hamin jante hain 'daghh' hindostan men dhuum hamari zaban ki hai
the couplet is an assertion of linguistic pride and ownership: the poet presents himself (and his circle) as true connoisseurs of urdu. “dhoom” signals public resonance—urdu’s sweetness and expressive power have created a stir throughout the land. the emotional core is self-assured celebration of a language as a marker of identity and cultural presence.
vo kare baat to har lafz se khushbu aae aisi boli vahi bole jise urdu aae
chand-chehre mujhe achchhe to bahut lagte hain ishq main us se karunga jise urdu aae
sagi bahnon ka jo rishta hai urdu aur hindi men kahin duniya ki do zinda zabanon men nahin milta
vo itr-dan sa lahja mire buzurgon ka rachi-basi hui urdu zaban ki khushbu
vo urdu ka musafir hai yahi pahchan hai us ki jidhar se bhi guzarta hai saliqa chhod jaata hai
urdu jise kahte hain tahzib ka chashma hai vo shakhs mohazzab hai jis ko ye zaban aai
shusta zaban shagufta bayan honth gul-fishan saari hain tujh men khubiyan urdu zaban ki
apni urdu to mohabbat ki zaban thi pyare uff siyasat ne use jod diya mazhab se
shahd-o-shakar se shirin urdu zaban hamari hoti hai jis ke bole mithi zaban hamari
mire bachchon men saari adaten maujud hain meri to phir in bad-nasibon ko na kyuun urdu zaban aai
ek hi phuul se sab phulon ki khushbu aae aur ye jaadu use aae jise urdu aae
abhi tahzib ka nauha na likhna abhi kuchh log urdu bolte hain
'mulla' bana diya hai ise bhi mahaz-e-jang ik sulh ka payam thi urdu zaban kabhi
meri ghutti men padi thi ho ke hal urdu zaban jo bhi main kahta gaya husn-e-bayan banta gaya
the poet (firaq gorakhpuri) claims urdu is so deeply ingrained in him that it feels like it was part of his earliest nourishment. “ghutti” suggests something given at the start of life, and “husn-e-bayan” points to elegance and charm in expression. the emotion is pride and intimacy with the language: eloquence is presented not as effort, but as an inborn, effortless flow.
khuda rakkhe zaban ham ne suni hai 'mir' o 'mirza' ki kahen kis munh se ham ai 'mushafi' urdu hamari hai
ham hain tahzib ke alam-bardar ham ko urdu zaban aati hai
urdu hai jis ka naam hamari zaban hai duniya ki har zaban se pyari zaban hai
bachpan ne hamen di hai ye shirini-e-guftar urdu nahin ham maan ki zaban bol rahe hain
Urdu se related curated sher, selected ghazal excerpts aur context-friendly reading flow milega.
Haan, collection links, writer links aur detail links sab Kuch Alfaaz ke internal routes par map kiye gaye hain.
Type filter (Sher/Ghazal/Nazm), featured picks aur similar collections rail use karke fast discovery kar sakte hain.
Poetry Collection
Urdu is not merely a language; it is a culture and represents a way of life. This language has brought people together and has had a huge following ever since its evolution. Urdu poets have quite often expressed their admiration for this language and its larger appeal. You may like to read some of them here.
Total
49
Sher
47
Ghazal
2
Is collection se writer-diverse top picks for quick reading.
nahin khel ai 'daghh' yaron se kah do ki aati hai urdu zaban aate aate
dagh dehlvi stresses that writing or speaking refined urdu is a serious art, not something to be taken lightly. the phrase “aati hai... aate aate” suggests slow, hard-won attainment through practice and lived experience. beneath the boast is a warning and a humble truth: real eloquence takes patience, discipline, and maturity.
saliqe se havaon men jo khushbu ghol sakte hain abhi kuchh log baaqi hain jo urdu bol sakte hain
chand-chehre mujhe achchhe to bahut lagte hain ishq main us se karunga jise urdu aae
baat karne ka hasin taur-tariqa sikha ham ne urdu ke bahane se saliqa sikha
vo itr-dan sa lahja mire buzurgon ka rachi-basi hui urdu zaban ki khushbu
vo urdu ka musafir hai yahi pahchan hai us ki jidhar se bhi guzarta hai saliqa chhod jaata hai
shusta zaban shagufta bayan honth gul-fishan saari hain tujh men khubiyan urdu zaban ki
apni urdu to mohabbat ki zaban thi pyare uff siyasat ne use jod diya mazhab se
shahd-o-shakar se shirin urdu zaban hamari hoti hai jis ke bole mithi zaban hamari
urdu ke chand lafz hain jab se zaban par tahzib mehrban hai mire khandan par
abhi tahzib ka nauha na likhna abhi kuchh log urdu bolte hain
'mulla' bana diya hai ise bhi mahaz-e-jang ik sulh ka payam thi urdu zaban kabhi
haan mujhe urdu hai punjabi se bhi badh kar aziiz shukr hai 'anvar' miri sochen ilaqai nahin
ham hain tahzib ke alam-bardar ham ko urdu zaban aati hai
urdu hai jis ka naam hamari zaban hai duniya ki har zaban se pyari zaban hai
bachpan ne hamen di hai ye shirini-e-guftar urdu nahin ham maan ki zaban bol rahe hain
urdu hai jis ka naam hamin jante hain 'daghh' hindostan men dhuum hamari zaban ki hai
the couplet is an assertion of linguistic pride and ownership: the poet presents himself (and his circle) as true connoisseurs of urdu. “dhoom” signals public resonance—urdu’s sweetness and expressive power have created a stir throughout the land. the emotional core is self-assured celebration of a language as a marker of identity and cultural presence.
ajab lahja hai us ki guftugu ka ghhazal jaisi zaban vo bolta hai
mire bachchon men saari adaten maujud hain meri to phir in bad-nasibon ko na kyuun urdu zaban aai
saikdon aur bhi duniya men zabanen hain magar jis pe marti hai fasahat vo zaban hai urdu
nahin khel ai 'daghh' yaron se kah do ki aati hai urdu zaban aate aate
dagh dehlvi stresses that writing or speaking refined urdu is a serious art, not something to be taken lightly. the phrase “aati hai... aate aate” suggests slow, hard-won attainment through practice and lived experience. beneath the boast is a warning and a humble truth: real eloquence takes patience, discipline, and maturity.
urdu hai jis ka naam hamin jante hain 'daghh' hindostan men dhuum hamari zaban ki hai
the couplet is an assertion of linguistic pride and ownership: the poet presents himself (and his circle) as true connoisseurs of urdu. “dhoom” signals public resonance—urdu’s sweetness and expressive power have created a stir throughout the land. the emotional core is self-assured celebration of a language as a marker of identity and cultural presence.
vo kare baat to har lafz se khushbu aae aisi boli vahi bole jise urdu aae
chand-chehre mujhe achchhe to bahut lagte hain ishq main us se karunga jise urdu aae
sagi bahnon ka jo rishta hai urdu aur hindi men kahin duniya ki do zinda zabanon men nahin milta
vo itr-dan sa lahja mire buzurgon ka rachi-basi hui urdu zaban ki khushbu
vo urdu ka musafir hai yahi pahchan hai us ki jidhar se bhi guzarta hai saliqa chhod jaata hai
urdu jise kahte hain tahzib ka chashma hai vo shakhs mohazzab hai jis ko ye zaban aai
shusta zaban shagufta bayan honth gul-fishan saari hain tujh men khubiyan urdu zaban ki
apni urdu to mohabbat ki zaban thi pyare uff siyasat ne use jod diya mazhab se
shahd-o-shakar se shirin urdu zaban hamari hoti hai jis ke bole mithi zaban hamari
mire bachchon men saari adaten maujud hain meri to phir in bad-nasibon ko na kyuun urdu zaban aai
ek hi phuul se sab phulon ki khushbu aae aur ye jaadu use aae jise urdu aae
abhi tahzib ka nauha na likhna abhi kuchh log urdu bolte hain
'mulla' bana diya hai ise bhi mahaz-e-jang ik sulh ka payam thi urdu zaban kabhi
meri ghutti men padi thi ho ke hal urdu zaban jo bhi main kahta gaya husn-e-bayan banta gaya
the poet (firaq gorakhpuri) claims urdu is so deeply ingrained in him that it feels like it was part of his earliest nourishment. “ghutti” suggests something given at the start of life, and “husn-e-bayan” points to elegance and charm in expression. the emotion is pride and intimacy with the language: eloquence is presented not as effort, but as an inborn, effortless flow.
khuda rakkhe zaban ham ne suni hai 'mir' o 'mirza' ki kahen kis munh se ham ai 'mushafi' urdu hamari hai
ham hain tahzib ke alam-bardar ham ko urdu zaban aati hai
urdu hai jis ka naam hamari zaban hai duniya ki har zaban se pyari zaban hai
bachpan ne hamen di hai ye shirini-e-guftar urdu nahin ham maan ki zaban bol rahe hain
Urdu se related curated sher, selected ghazal excerpts aur context-friendly reading flow milega.
Haan, collection links, writer links aur detail links sab Kuch Alfaaz ke internal routes par map kiye gaye hain.
Type filter (Sher/Ghazal/Nazm), featured picks aur similar collections rail use karke fast discovery kar sakte hain.
