puchh lete vo bas mizaj mira kitna asan tha ilaaj mira

aaj us ne hans ke yuun puchha mizaj umr bhar ke ranj-o-ghham yaad aa gae

aate hain ayadat ko to karte hain nasihat ahbab se ghham-khvar hua bhi nahin jaata

dekhne aae the vo apni mohabbat ka asar kahne ko ye hai ki aae hain ayadat kar ke

ayadat ko miri aa kar vo ye takid karte hain tujhe ham maar dalenge nahin to jald achchha ho the couplet turns a “get-well” visit into dark comedy: the beloved’s concern appears as a harsh ultimatum. the threat (“we’ll kill you”) is not literal so much as a lover’s cruel power-play, showing how even care can be mixed with domination. the emotional core is the lover’s helplessness before a beloved whose mercy and violence feel equally possible. dagh dehlvi uses irony to expose the bittersweet sting of love.

aaya na ek baar ayadat ko tu masih sau baar main fareb se bimar ho chuka

bahr-e-ayadat aae vo lekin qaza ke saath dam hi nikal gaya mira avaz-e-pa ke saath the couplet turns a beloved’s long-awaited visit into a cruel twist of fate: the visitor seems accompanied by “qazaa,” the decree of death. “footsteps” become a metaphor for the beloved’s approach, so emotionally overwhelming that the speaker’s life ends at that very sound. love, longing, and mortality collide, making the visit feel like both remedy and final blow.

ayadat hoti jaati hai ibadat hoti jaati hai mire marne ki dekho sab ko aadat hoti jaati hai

ik baar aur meri ayadat ko aaiye achchhi tarah se main abhi achchha hua nahin

kaun aata hai ayadat ke liye dekhen 'faraghh' apne ji ko zara na-saz kiye dete hain

kabhu bimar sun kar vo ayadat ko to aata tha hamen apne bhale hone se vo azar behtar tha

vo ayadat ko na aaya karen main dar guzra hal-e-dil puchh ke aur aag laga jaate hain

aan ke is bimar ko dekhe tujh ko bhi taufiq hui lab par us ke naam tha tera jab bhi dard shadid hua

jab na tha zabt to kyuun aae ayadat ke liye tum ne kaahe ko mira hal-e-pareshan dekha

us ko muddat hui sabr karte hue aaj ku-e-vafa se guzarte hue puchh kar us gada ka thikana sajan apne 'insha' ko bhi dekh aana sajan

puchh lete vo bas mizaj mira kitna asan tha ilaaj mira

aaj us ne hans ke yuun puchha mizaj umr bhar ke ranj-o-ghham yaad aa gae

aate hain ayadat ko to karte hain nasihat ahbab se ghham-khvar hua bhi nahin jaata

dekhne aae the vo apni mohabbat ka asar kahne ko ye hai ki aae hain ayadat kar ke

ayadat ko miri aa kar vo ye takid karte hain tujhe ham maar dalenge nahin to jald achchha ho the couplet turns a “get-well” visit into dark comedy: the beloved’s concern appears as a harsh ultimatum. the threat (“we’ll kill you”) is not literal so much as a lover’s cruel power-play, showing how even care can be mixed with domination. the emotional core is the lover’s helplessness before a beloved whose mercy and violence feel equally possible. dagh dehlvi uses irony to expose the bittersweet sting of love.

aaya na ek baar ayadat ko tu masih sau baar main fareb se bimar ho chuka

bahr-e-ayadat aae vo lekin qaza ke saath dam hi nikal gaya mira avaz-e-pa ke saath the couplet turns a beloved’s long-awaited visit into a cruel twist of fate: the visitor seems accompanied by “qazaa,” the decree of death. “footsteps” become a metaphor for the beloved’s approach, so emotionally overwhelming that the speaker’s life ends at that very sound. love, longing, and mortality collide, making the visit feel like both remedy and final blow.

ayadat hoti jaati hai ibadat hoti jaati hai mire marne ki dekho sab ko aadat hoti jaati hai

vo ayadat ko to aaya tha magar jaate hue apni tasviren bhi kamre se utha kar le gaya

ik baar aur meri ayadat ko aaiye achchhi tarah se main abhi achchha hua nahin

vo ayadat ke liye aae hain lo aur sahi aaj hi khubi-e-taqdir se haal achchha hai

jab na tha zabt to kyuun aae ayadat ke liye tum ne kaahe ko mira hal-e-pareshan dekha

vo ayadat ko na aaya karen main dar guzra hal-e-dil puchh ke aur aag laga jaate hain

le meri khabar chashm mire yaar ki kyun-kar bimar ayadat kare bimar ki kyun-kar

us ko muddat hui sabr karte hue aaj ku-e-vafa se guzarte hue puchh kar us gada ka thikana sajan apne 'insha' ko bhi dekh aana sajan