tumhari ankhon ki tauhin hai zara socho tumhara chahne vaala sharab piita hai

teri ankhon ka kuchh qusur nahin haan mujhi ko kharab hona tha

khuda bachae tiri mast mast ankhon se farishta ho to bahak jaae aadmi kya hai

kabhi kabhi to chhalak padti hain yunhi ankhen udaas hone ka koi sabab nahin hota

jo un maasum ankhon ne diye the vo dhoke aaj tak main kha raha huun

the couplet plays on the contrast between outward innocence and inner trickery. the beloved’s “ma’soom” eyes become a metaphor for charming appearances that mislead. the speaker’s pain is not momentary; it has stretched into a lasting wound. emotionally, it is a confession of love mixed with regret and enduring hurt.

ik hasin aankh ke ishare par qafile raah bhuul jaate hain

aankh rahzan nahin to phir kya hai luut leti hai qafila dil ka

aa jaae na dil aap ka bhi aur kisi par dekho miri jaan aankh ladana nahin achchha

ladne ko dil jo chahe to ankhen ladaiye ho jang bhi agar to mazedar jang ho

paimana kahe hai koi mai-khana kahe hai duniya tiri ankhon ko bhi kya kya na kahe hai

aankh se aankh jab nahin milti dil se dil ham-kalam hota hai

log nazron ko bhi padh lete hain apni ankhon ko jhukae rakhna

zara der baithe the tanhai men tiri yaad ankhen dukhane lagi

talab karen to ye ankhen bhi in ko de duun main magar ye log in ankhon ke khvab mangte hain

tire jamal ki tasvir khinch duun lekin zaban men aankh nahin aankh men zaban nahin

ek aansu bhi hukumat ke liye khatra hai tum ne dekha nahin aankhon ka samundar hona

shabnam ke aansu phuul par ye to vahi qissa hua ankhen miri bhigi hui chehra tira utra hua

ankhen jo uthae to mohabbat ka guman ho nazron ko jhukae to shikayat si lage hai

main dar raha huun tumhari nashili ankhon se ki luut len na kisi roz kuchh pila ke mujhe

jab tire nain muskurate hain ziist ke ranj bhuul jaate hain

tumhari ankhon ki tauhin hai zara socho tumhara chahne vaala sharab piita hai

teri ankhon ka kuchh qusur nahin haan mujhi ko kharab hona tha

tire jamal ki tasvir khinch duun lekin zaban men aankh nahin aankh men zaban nahin

ek aansu bhi hukumat ke liye khatra hai tum ne dekha nahin aankhon ka samundar hona

kabhi kabhi to chhalak padti hain yunhi ankhen udaas hone ka koi sabab nahin hota

'mir' un nim-baz ankhon men saari masti sharab ki si hai

the beloved’s half-lidded eyes are portrayed as a source of drunkenness, as potent as wine itself. the metaphor shifts “intoxication” from a drink to a gaze, suggesting desire that overwhelms without any physical substance. the emotional core is helpless enchantment: the speaker is captivated and mentally unsteady under that look. the softness of “half-open” also hints at coyness and invitation, deepening the seduction.

ik hasin aankh ke ishare par qafile raah bhuul jaate hain

us ki ankhon ko ghhaur se dekho mandiron men charaghh jalte hain

aankh rahzan nahin to phir kya hai luut leti hai qafila dil ka

shabnam ke aansu phuul par ye to vahi qissa hua ankhen miri bhigi hui chehra tira utra hua

hasin teri anhken hasin tere aansu yahin duub jaane ko ji chahta hai

aa jaae na dil aap ka bhi aur kisi par dekho miri jaan aankh ladana nahin achchha

ladne ko dil jo chahe to ankhen ladaiye ho jang bhi agar to mazedar jang ho

paimana kahe hai koi mai-khana kahe hai duniya tiri ankhon ko bhi kya kya na kahe hai

aankh se aankh jab nahin milti dil se dil ham-kalam hota hai

main dar raha huun tumhari nashili ankhon se ki luut len na kisi roz kuchh pila ke mujhe

log nazron ko bhi padh lete hain apni ankhon ko jhukae rakhna

ab tak miri yadon se mitae nahin mitta bhigi hui ik shaam ka manzar tiri ankhen

talab karen to ye ankhen bhi in ko de duun main magar ye log in ankhon ke khvab mangte hain

ankhen khuda ne di hain to dekhenge husn-e-yar kab tak naqab rukh se uthai na jaegi