Poetry Collection

Gunah

The idea of sin is associated with religious faith. The poets have, however, looked at sin from a different perspective. So, sin that drives fears into hearts is also turned into something that entices and brings man face-to-face with a different experience of life. With reference to the ideas and experiences of sin and virtue, good and evil, this selection would bring you many surprises.

Total

50

Sher

49

Ghazal

1

Nazm

0

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koi samjhe to ek baat kahun ishq taufiq hai gunah nahin if someone were to listen, one thing i will opine love is not a crime forsooth it is grace divine the speaker feels surrounded by misunderstanding and offers a single, clarifying truth to anyone capable of insight. by calling love “taufiq,” he frames it as a gift that elevates the heart rather than a moral offense. the couplet defends love against social or religious blame, turning accusation into spiritual dignity. its emotional core is quiet insistence: love deserves reverence, not condemnation.

aata hai dagh-e-hasrat-e-dil ka shumar yaad mujh se mere gunah ka hisab ai khuda na mang ghalib turns inner regret into a vivid image: the heart is covered with countless “stains” of unfulfilled desires. remembering their number already overwhelms him, so the thought of a divine audit feels unbearable. the plea is not denial but helplessness—his failings and disappointments are too many to be tallied. the couplet captures guilt, exhaustion, and a trembling appeal for mercy.

koi samjhe to ek baat kahun ishq taufiq hai gunah nahin if someone were to listen, one thing i will opine love is not a crime forsooth it is grace divine the speaker feels surrounded by misunderstanding and offers a single, clarifying truth to anyone capable of insight. by calling love “taufiq,” he frames it as a gift that elevates the heart rather than a moral offense. the couplet defends love against social or religious blame, turning accusation into spiritual dignity. its emotional core is quiet insistence: love deserves reverence, not condemnation.

aata hai dagh-e-hasrat-e-dil ka shumar yaad mujh se mere gunah ka hisab ai khuda na mang ghalib turns inner regret into a vivid image: the heart is covered with countless “stains” of unfulfilled desires. remembering their number already overwhelms him, so the thought of a divine audit feels unbearable. the plea is not denial but helplessness—his failings and disappointments are too many to be tallied. the couplet captures guilt, exhaustion, and a trembling appeal for mercy.

mere gunah ziyaada hain ya teri rahmat karim tu hi bata de hisab kar ke mujhe whether my sins are greater of your mercy pray? my lord take account and tell me this today

farishte hashr mein puchhenge pak-bazon se gunah kyun na kiye kya khuda ghafur na tha

is bharose pe kar raha hun gunah bakhsh dena to teri fitrat hai i keep on sinning as i do believe it is your nature to grant reprieve

wo kaun hain jinhen tauba ki mil gai fursat hamein gunah bhi karne ko zindagi kam hai who are those that seem to find the time for to repent for us this life is too short to sin to heart's content

na-karda gunahon ki bhi hasrat ki mile dad ya rab agar in karda gunahon ki saza hai for the sins uncommitted, i hope to get applause if sins one did commit for punishment are due cause the poet enters into a bold negotiation with the divine regarding the nature of sin and justice. ghalib argues that if he is to be held accountable and punished for his actions, he should conversely be rewarded or compensated for the suffering caused by his unfulfilled desires to sin. it highlights that the pain of suppressed longing is as significant as the act of sinning itself.

puchhega jo khuda to ye kah denge hashr mein han han gunah kiya teri rahmat ke zor par

wo jo raat mujh ko bade adab se salam kar ke chala gaya use kya khabar mere dil mein bhi kabhi aarzu-e-gunah thi

gunahon se hamein raghbat na thi magar ya rab teri nigah-e-karam ko bhi munh dikhana tha o lord, i was not drawn to sinning all the time how else could i confront your mercy so sublime

mohabbat nek-o-bad ko sochne de ghair-mumkin hai badhi jab be-khudi phir kaun darta hai gunahon se

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