Poetry Collection
Romantic poetry in Urdu eulogizes the lips of the beloved no end. The poets have configured lips in many different ways but in most of them it is an extremely desired object of love. Silent or eloquent, lips have always been romanticized. You may have a look at these verses and get a glimpse of how the poets construct the images of lips
Total
32
Sher
31
Ghazal
1
Is collection se writer-diverse top picks for quick reading.
nazuki us ke lab ki kya kahiye pankhudi ik gulab ki si hai
the speaker is struck by the beloved’s refined beauty and finds ordinary language inadequate. by comparing the lips to a rose petal, the couplet conveys softness, freshness, and fragile tenderness. the rhetorical question intensifies wonder, suggesting that this beauty is almost beyond expression.
us ke honton pe rakh ke hont apne baat hi ham tamam kar rahe hain
so dekh kar tire rukhsar o lab yaqin aaya ki phuul khilte hain gulzar ke alava bhi
kyuun parakhte ho savalon se javabon ko 'adim' hont achchhe hon to samjho ki saval achchha hai
sirf us ke hont kaghhaz par bana deta huun main khud bana leti hai honton par hansi apni jagah
ek dam us ke hont chuum liye ye mujhe baithe baithe kya sujhi
khuda ko maan ki tujh lab ke chumne ke siva koi ilaaj nahin aaj ki udasi ka
tire labon ko mili hai shaguftagi gul ki hamari aankh ke hisse men jharne aae hain
bujhe labon pe hai boson ki raakh bikhri hui main is bahar men ye raakh bhi uda dunga
kuchh to mil jaae lab-e-shirin se zahr khane ki ijazat hi sahi
kisi ko khvab men aksar pukarte hain ham 'ata' isi liye sote men hont hilte hain
kanpte hont bhigti palken baat adhuri hi chhod deta huun
ghhurur-e-tishna-dahani tiri baqa ki qasam nadi hamare labon ki taraf uchhalti rahi
ashk ankhon se miri nikle musalsal lekin us ne ik harf-e-tasalli na nikala lab se
muddat ke baa'd 'nur' hansi lab pe aai hai vo apna ham-khayal bana le gaya mujhe
zulm sah ke bhi main ne hont si liye 'ghhazi' ek zarf un ka hai ek zarf mera hai
mire ashar hain vo asmani khvab jin ko miri mitti ke honthon par utara ja raha hai
saqiya muhr-ba-lab kar ke sila kya paaya hashr kuchh aur khamoshi ne bapa rakkha hai
ik bosa sabt karne ka e'lan kar diya honton ka jis ne rakh diya huliya bigad kar
shauq hai is dil-e-darinda ko aap ke hont kaat khane ka
nazuki us ke lab ki kya kahiye pankhudi ik gulab ki si hai
the speaker is struck by the beloved’s refined beauty and finds ordinary language inadequate. by comparing the lips to a rose petal, the couplet conveys softness, freshness, and fragile tenderness. the rhetorical question intensifies wonder, suggesting that this beauty is almost beyond expression.
us ke honton pe rakh ke hont apne baat hi ham tamam kar rahe hain
shauq hai is dil-e-darinda ko aap ke hont kaat khane ka
so dekh kar tire rukhsar o lab yaqin aaya ki phuul khilte hain gulzar ke alava bhi
tujh sa koi jahan men nazuk-badan kahan ye pankhudi se hont ye gul sa badan kahan
sirf us ke hont kaghhaz par bana deta huun main khud bana leti hai honton par hansi apni jagah
un labon ne na ki masihai ham ne sau sau tarah se mar dekha
khuda ko maan ki tujh lab ke chumne ke siva koi ilaaj nahin aaj ki udasi ka
tire labon ko mili hai shaguftagi gul ki hamari aankh ke hisse men jharne aae hain
aata hai ji men saqi-e-mah-vash pe baar baar lab chuum luun tira lab-e-paimana chhod kar
kuchh to mil jaae lab-e-shirin se zahr khane ki ijazat hi sahi
honton par ik baar saja kar apne hont us ke baad na baten karna so jaana
kanpte hont bhigti palken baat adhuri hi chhod deta huun
kya karun ai tishnagi tera mudava bas vo lab jin labon ko chhu ke paani aag banta jaae hai
ashk ankhon se miri nikle musalsal lekin us ne ik harf-e-tasalli na nikala lab se
ye lab-o-rukhsar ye chehra tera pur-nur sa tujh ko kya dekha laga jaise koi dekhi ghhazal
zulm sah ke bhi main ne hont si liye 'ghhazi' ek zarf un ka hai ek zarf mera hai
kali chatakh ke labon ke mizaj tak pahunchi gulab tuut ke surkhi-e-gal tak aae
saqiya muhr-ba-lab kar ke sila kya paaya hashr kuchh aur khamoshi ne bapa rakkha hai
koi mojazati sa ek dil-ruba lamha us ke hont khul jaaen mere lab pe taala ho
Lab se related curated sher, selected ghazal excerpts aur context-friendly reading flow milega.
Haan, collection links, writer links aur detail links sab Kuch Alfaaz ke internal routes par map kiye gaye hain.
Type filter (Sher/Ghazal/Nazm), featured picks aur similar collections rail use karke fast discovery kar sakte hain.
Poetry Collection
Romantic poetry in Urdu eulogizes the lips of the beloved no end. The poets have configured lips in many different ways but in most of them it is an extremely desired object of love. Silent or eloquent, lips have always been romanticized. You may have a look at these verses and get a glimpse of how the poets construct the images of lips
Total
32
Sher
31
Ghazal
1
Is collection se writer-diverse top picks for quick reading.
nazuki us ke lab ki kya kahiye pankhudi ik gulab ki si hai
the speaker is struck by the beloved’s refined beauty and finds ordinary language inadequate. by comparing the lips to a rose petal, the couplet conveys softness, freshness, and fragile tenderness. the rhetorical question intensifies wonder, suggesting that this beauty is almost beyond expression.
us ke honton pe rakh ke hont apne baat hi ham tamam kar rahe hain
so dekh kar tire rukhsar o lab yaqin aaya ki phuul khilte hain gulzar ke alava bhi
kyuun parakhte ho savalon se javabon ko 'adim' hont achchhe hon to samjho ki saval achchha hai
sirf us ke hont kaghhaz par bana deta huun main khud bana leti hai honton par hansi apni jagah
ek dam us ke hont chuum liye ye mujhe baithe baithe kya sujhi
khuda ko maan ki tujh lab ke chumne ke siva koi ilaaj nahin aaj ki udasi ka
tire labon ko mili hai shaguftagi gul ki hamari aankh ke hisse men jharne aae hain
bujhe labon pe hai boson ki raakh bikhri hui main is bahar men ye raakh bhi uda dunga
kuchh to mil jaae lab-e-shirin se zahr khane ki ijazat hi sahi
kisi ko khvab men aksar pukarte hain ham 'ata' isi liye sote men hont hilte hain
kanpte hont bhigti palken baat adhuri hi chhod deta huun
ghhurur-e-tishna-dahani tiri baqa ki qasam nadi hamare labon ki taraf uchhalti rahi
ashk ankhon se miri nikle musalsal lekin us ne ik harf-e-tasalli na nikala lab se
muddat ke baa'd 'nur' hansi lab pe aai hai vo apna ham-khayal bana le gaya mujhe
zulm sah ke bhi main ne hont si liye 'ghhazi' ek zarf un ka hai ek zarf mera hai
mire ashar hain vo asmani khvab jin ko miri mitti ke honthon par utara ja raha hai
saqiya muhr-ba-lab kar ke sila kya paaya hashr kuchh aur khamoshi ne bapa rakkha hai
ik bosa sabt karne ka e'lan kar diya honton ka jis ne rakh diya huliya bigad kar
shauq hai is dil-e-darinda ko aap ke hont kaat khane ka
nazuki us ke lab ki kya kahiye pankhudi ik gulab ki si hai
the speaker is struck by the beloved’s refined beauty and finds ordinary language inadequate. by comparing the lips to a rose petal, the couplet conveys softness, freshness, and fragile tenderness. the rhetorical question intensifies wonder, suggesting that this beauty is almost beyond expression.
us ke honton pe rakh ke hont apne baat hi ham tamam kar rahe hain
shauq hai is dil-e-darinda ko aap ke hont kaat khane ka
so dekh kar tire rukhsar o lab yaqin aaya ki phuul khilte hain gulzar ke alava bhi
tujh sa koi jahan men nazuk-badan kahan ye pankhudi se hont ye gul sa badan kahan
sirf us ke hont kaghhaz par bana deta huun main khud bana leti hai honton par hansi apni jagah
un labon ne na ki masihai ham ne sau sau tarah se mar dekha
khuda ko maan ki tujh lab ke chumne ke siva koi ilaaj nahin aaj ki udasi ka
tire labon ko mili hai shaguftagi gul ki hamari aankh ke hisse men jharne aae hain
aata hai ji men saqi-e-mah-vash pe baar baar lab chuum luun tira lab-e-paimana chhod kar
kuchh to mil jaae lab-e-shirin se zahr khane ki ijazat hi sahi
honton par ik baar saja kar apne hont us ke baad na baten karna so jaana
kanpte hont bhigti palken baat adhuri hi chhod deta huun
kya karun ai tishnagi tera mudava bas vo lab jin labon ko chhu ke paani aag banta jaae hai
ashk ankhon se miri nikle musalsal lekin us ne ik harf-e-tasalli na nikala lab se
ye lab-o-rukhsar ye chehra tera pur-nur sa tujh ko kya dekha laga jaise koi dekhi ghhazal
zulm sah ke bhi main ne hont si liye 'ghhazi' ek zarf un ka hai ek zarf mera hai
kali chatakh ke labon ke mizaj tak pahunchi gulab tuut ke surkhi-e-gal tak aae
saqiya muhr-ba-lab kar ke sila kya paaya hashr kuchh aur khamoshi ne bapa rakkha hai
koi mojazati sa ek dil-ruba lamha us ke hont khul jaaen mere lab pe taala ho
Lab se related curated sher, selected ghazal excerpts aur context-friendly reading flow milega.
Haan, collection links, writer links aur detail links sab Kuch Alfaaz ke internal routes par map kiye gaye hain.
Type filter (Sher/Ghazal/Nazm), featured picks aur similar collections rail use karke fast discovery kar sakte hain.
