chalo achchha hua kaam aa gai divangi apni vagarna ham zamane bhar ko samjhane kahan jaate

twas a good thing that my madness was to some avail else, for my state, what other reason could the world i show?

na puchho mujh se lazzat khanaman-barbad rahne ki nasheman saikdon main ne bana kar phunk daale hain

the speaker claims an unsettling joy in being “house-destroyed,” meaning refusing settled comfort. the “nest” symbolizes home, security, and attachment; burning it is a deliberate act of breaking one’s own bonds. emotionally, it conveys fierce restlessness and a chosen homelessness—preferring freedom and onward flight over stability.

roen na abhi ahl-e-nazar haal pe mere hona hai abhi mujh ko kharab aur ziyada

muddaten ho gaiin 'faraz' magar vo jo divangi ki thi hai abhi

main aa gaya huun vahan tak tiri tamanna men jahan se koi bhi imkan-e-vapsi na rahe

kabhu rona kabhu hansna kabhu hairan ho jaana mohabbat kya bhale-change ko divana banati hai

laughing, crying and at times spouting inanity passion does render a wise person to insanity

junun ab manzilen tai kar raha hai khirad rasta dikha kar rah gai hai

tumhari zaat se mansub hai divangi meri tumhin se ab miri divangi dekhi nahin jaati

khuli na mujh pe bhi divangi miri barson mire junun ki shohrat tire bayan se hui

ain danai hai 'nasikh' ishq men divangi aap saudai hain jo kahte hain saudai mujhe

farq nahin padta ham divanon ke ghar men hone se virani umdi padti hai ghar ke kone kone se

translation being at home of crazies like us, hardly matters, desolation creeps from its all nooks and corners. sagar akbarabadi

kar gai divangi ham ko bari har jurm se chak-damani se apni pak-damani hui

chalo achchha hua kaam aa gai divangi apni vagarna ham zamane bhar ko samjhane kahan jaate

twas a good thing that my madness was to some avail else, for my state, what other reason could the world i show?

na puchho mujh se lazzat khanaman-barbad rahne ki nasheman saikdon main ne bana kar phunk daale hain

the speaker claims an unsettling joy in being “house-destroyed,” meaning refusing settled comfort. the “nest” symbolizes home, security, and attachment; burning it is a deliberate act of breaking one’s own bonds. emotionally, it conveys fierce restlessness and a chosen homelessness—preferring freedom and onward flight over stability.

roen na abhi ahl-e-nazar haal pe mere hona hai abhi mujh ko kharab aur ziyada

muddaten ho gaiin 'faraz' magar vo jo divangi ki thi hai abhi

ham tire shauq men yuun khud ko ganva baithe hain jaise bachche kisi tyauhar men gum ho jaaen

main aa gaya huun vahan tak tiri tamanna men jahan se koi bhi imkan-e-vapsi na rahe

ek divane ko jo aae hain samjhane kai pahle main divana tha aur ab hain divane kai

in a madman, people come, to sanity imbue i was the only lunatic, now there're quite a few

junun ab manzilen tai kar raha hai khirad rasta dikha kar rah gai hai

nai mushkil koi darpesh har mushkil se aage hai safar divangi ka ishq ki manzil se aage hai

khuli na mujh pe bhi divangi miri barson mire junun ki shohrat tire bayan se hui

dil ke muamle men mujhe dakhl kuchh nahin is ke mizaj men jidhar aae udhar rahe

farq nahin padta ham divanon ke ghar men hone se virani umdi padti hai ghar ke kone kone se

translation being at home of crazies like us, hardly matters, desolation creeps from its all nooks and corners. sagar akbarabadi