Poetry Collection
A messenger is a stereotypical character in classical poetry. He does not only bring messages, he also helps develop lasting bonds. A lover lying in separation considers the messenger luckier than himself who can meet her and speak to her. Sometimes, even the messenger has to bear the onslaughts of love and has to pay for someone else’s love.
Total
45
Sher
44
Ghazal
1
Is collection se writer-diverse top picks for quick reading.
qasid ke aate aate khat ik aur likh rakhun main janta huun jo vo likhenge javab men
ere the messenger returns, another letter i should prepare,i am aware, what she will reply the poet anticipates that the reply coming from the beloved will be a rejection or unsatisfactory. knowing the beloved's cruel nature, he prepares a counter-argument or a new plea in advance, so he can send it immediately without wasting time, showcasing his persistence in the face of certain refusal.
kya jaane kya likha tha use iztirab men qasid ki laash aai hai khat ke javab men
the couplet turns a simple exchange of letters into a tragedy: the lover’s anxious words remain unknown, yet the response arrives as death itself. the dead courier becomes a metaphor for fate’s cruelty and for communication breaking down at the worst moment. emotionally, it conveys dread, helplessness, and the sense that love’s message has been punished or cut off forever.
qasid payam-e-shauq ko dena bahut na tuul kahna faqat ye un se ki ankhen taras gaiin
koi nam-o-nishan puchhe to ai qasid bata dena takhallus 'daghh' hai vo ashiqon ke dil men rahte hain
the speaker instructs the messenger to give a special “address” if anyone inquires: not a physical location, but a place in feeling. by naming his takhallus as “dagh” and claiming residence in lovers’ hearts, he turns identity into a metaphor for lasting emotional presence. the couplet blends pride and tenderness: true recognition comes through love, not through worldly markers.
mira khat us ne padha padh ke nama-bar se kaha yahi javab hai is ka koi javab nahin
qasid nahin ye kaam tira apni raah le us ka payam dil ke siva kaun la sake
tu dekh raha hai jo mira haal hai qasid mujh ko yahi kahna hai ki main kuchh nahin kahta
ashkon ke nishan parcha-e-sada pe hain qasid ab kuchh na bayan kar ye ibarat hi bahut hai
vo aur vaada vasl ka qasid nahin nahin sach sach bata ye lafz unhi ki zaban ke hain
khat dekh kar mira mire qasid se yuun kaha kya gul nahin hua vo charaghh-e-sahar hanuz
kya bhuul gae hain vo mujhe puchhna qasid naama koi muddat se mire kaam na aaya
kisi ko bhej ke khat haae ye kaisa azaab aaya ki har ik puchhta hai nama-bar aaya javab aaya
zaban qasid ki 'muztar' kaat li jab un ko khat bheja ki akhir aadmi hai tazkira shayad kahin kar de
qayamat hai ye kah kar us ne lautaya hai qasid ko ki un ka to har ik khat akhiri paighham hota hai
ya us se javab-e-khat laana ya qasid itna kah dena bachne ka nahin bimar tira irshad agar kuchh bhi na hua
pahunche na vahan tak ye dua maang raha huun qasid ko udhar bhej ke dhyan aae hai kya kya
qasid payam un ka na kuchh der abhi suna rahne de mahv-e-lazzat-e-zauq-e-khabar mujhe
aati hai baat baat mujhe baar baar yaad kahta huun daud daud ke qasid se raah men
the lover is so restless that every small trigger revives the same thought, and the longing turns into physical haste. the “messenger” becomes a symbol of hope and delay: he might bring news, yet he also prolongs waiting. running and repeated questioning show impatience, anxiety, and a heart unable to stay still.
aaya na phir ke ek bhi kuche se yaar ke qasid gaya nasim gai nama-bar gaya
vo kab sunne lage qasid magar yuun hi suna dena mila kar dusron ki dastan men dastan meri
qasid ke aate aate khat ik aur likh rakhun main janta huun jo vo likhenge javab men
ere the messenger returns, another letter i should prepare,i am aware, what she will reply the poet anticipates that the reply coming from the beloved will be a rejection or unsatisfactory. knowing the beloved's cruel nature, he prepares a counter-argument or a new plea in advance, so he can send it immediately without wasting time, showcasing his persistence in the face of certain refusal.
kya jaane kya likha tha use iztirab men qasid ki laash aai hai khat ke javab men
the couplet turns a simple exchange of letters into a tragedy: the lover’s anxious words remain unknown, yet the response arrives as death itself. the dead courier becomes a metaphor for fate’s cruelty and for communication breaking down at the worst moment. emotionally, it conveys dread, helplessness, and the sense that love’s message has been punished or cut off forever.
qasid payam-e-shauq ko dena bahut na tuul kahna faqat ye un se ki ankhen taras gaiin
koi nam-o-nishan puchhe to ai qasid bata dena takhallus 'daghh' hai vo ashiqon ke dil men rahte hain
the speaker instructs the messenger to give a special “address” if anyone inquires: not a physical location, but a place in feeling. by naming his takhallus as “dagh” and claiming residence in lovers’ hearts, he turns identity into a metaphor for lasting emotional presence. the couplet blends pride and tenderness: true recognition comes through love, not through worldly markers.
mira khat us ne padha padh ke nama-bar se kaha yahi javab hai is ka koi javab nahin
aati hai baat baat mujhe baar baar yaad kahta huun daud daud ke qasid se raah men
the lover is so restless that every small trigger revives the same thought, and the longing turns into physical haste. the “messenger” becomes a symbol of hope and delay: he might bring news, yet he also prolongs waiting. running and repeated questioning show impatience, anxiety, and a heart unable to stay still.
maza jab tha ki mere munh se sunte dastan meri kahan se laega qasid dahan mera zaban meri
tu dekh raha hai jo mira haal hai qasid mujh ko yahi kahna hai ki main kuchh nahin kahta
mazmun sujhte hain hazaron nae nae qasid ye khat nahin mire ghham ki kitab hai
vo aur vaada vasl ka qasid nahin nahin sach sach bata ye lafz unhi ki zaban ke hain
aah qasid to ab talak na phira dil dhadakta hai kya hua hoga
kya mire haal pe sach-much unhen ghham tha qasid tu ne dekha tha sitara sar-e-mizhgan koi
aaya na phir ke ek bhi kuche se yaar ke qasid gaya nasim gai nama-bar gaya
kisi ko bhej ke khat haae ye kaisa azaab aaya ki har ik puchhta hai nama-bar aaya javab aaya
zaban qasid ki 'muztar' kaat li jab un ko khat bheja ki akhir aadmi hai tazkira shayad kahin kar de
vo kab sunne lage qasid magar yuun hi suna dena mila kar dusron ki dastan men dastan meri
qayamat hai ye kah kar us ne lautaya hai qasid ko ki un ka to har ik khat akhiri paighham hota hai
khat-e-shauq ko padh ke qasid se bole ye hai kaun divana khat likhne vaala
pahunche na vahan tak ye dua maang raha huun qasid ko udhar bhej ke dhyan aae hai kya kya
jab us ne mira khat na chhua haath se apne qasid ne bhi chipka diya divar se kaghhaz
Qasid se related curated sher, selected ghazal excerpts aur context-friendly reading flow milega.
Haan, collection links, writer links aur detail links sab Kuch Alfaaz ke internal routes par map kiye gaye hain.
Type filter (Sher/Ghazal/Nazm), featured picks aur similar collections rail use karke fast discovery kar sakte hain.
Poetry Collection
A messenger is a stereotypical character in classical poetry. He does not only bring messages, he also helps develop lasting bonds. A lover lying in separation considers the messenger luckier than himself who can meet her and speak to her. Sometimes, even the messenger has to bear the onslaughts of love and has to pay for someone else’s love.
Total
45
Sher
44
Ghazal
1
Is collection se writer-diverse top picks for quick reading.
qasid ke aate aate khat ik aur likh rakhun main janta huun jo vo likhenge javab men
ere the messenger returns, another letter i should prepare,i am aware, what she will reply the poet anticipates that the reply coming from the beloved will be a rejection or unsatisfactory. knowing the beloved's cruel nature, he prepares a counter-argument or a new plea in advance, so he can send it immediately without wasting time, showcasing his persistence in the face of certain refusal.
kya jaane kya likha tha use iztirab men qasid ki laash aai hai khat ke javab men
the couplet turns a simple exchange of letters into a tragedy: the lover’s anxious words remain unknown, yet the response arrives as death itself. the dead courier becomes a metaphor for fate’s cruelty and for communication breaking down at the worst moment. emotionally, it conveys dread, helplessness, and the sense that love’s message has been punished or cut off forever.
qasid payam-e-shauq ko dena bahut na tuul kahna faqat ye un se ki ankhen taras gaiin
koi nam-o-nishan puchhe to ai qasid bata dena takhallus 'daghh' hai vo ashiqon ke dil men rahte hain
the speaker instructs the messenger to give a special “address” if anyone inquires: not a physical location, but a place in feeling. by naming his takhallus as “dagh” and claiming residence in lovers’ hearts, he turns identity into a metaphor for lasting emotional presence. the couplet blends pride and tenderness: true recognition comes through love, not through worldly markers.
mira khat us ne padha padh ke nama-bar se kaha yahi javab hai is ka koi javab nahin
qasid nahin ye kaam tira apni raah le us ka payam dil ke siva kaun la sake
tu dekh raha hai jo mira haal hai qasid mujh ko yahi kahna hai ki main kuchh nahin kahta
ashkon ke nishan parcha-e-sada pe hain qasid ab kuchh na bayan kar ye ibarat hi bahut hai
vo aur vaada vasl ka qasid nahin nahin sach sach bata ye lafz unhi ki zaban ke hain
khat dekh kar mira mire qasid se yuun kaha kya gul nahin hua vo charaghh-e-sahar hanuz
kya bhuul gae hain vo mujhe puchhna qasid naama koi muddat se mire kaam na aaya
kisi ko bhej ke khat haae ye kaisa azaab aaya ki har ik puchhta hai nama-bar aaya javab aaya
zaban qasid ki 'muztar' kaat li jab un ko khat bheja ki akhir aadmi hai tazkira shayad kahin kar de
qayamat hai ye kah kar us ne lautaya hai qasid ko ki un ka to har ik khat akhiri paighham hota hai
ya us se javab-e-khat laana ya qasid itna kah dena bachne ka nahin bimar tira irshad agar kuchh bhi na hua
pahunche na vahan tak ye dua maang raha huun qasid ko udhar bhej ke dhyan aae hai kya kya
qasid payam un ka na kuchh der abhi suna rahne de mahv-e-lazzat-e-zauq-e-khabar mujhe
aati hai baat baat mujhe baar baar yaad kahta huun daud daud ke qasid se raah men
the lover is so restless that every small trigger revives the same thought, and the longing turns into physical haste. the “messenger” becomes a symbol of hope and delay: he might bring news, yet he also prolongs waiting. running and repeated questioning show impatience, anxiety, and a heart unable to stay still.
aaya na phir ke ek bhi kuche se yaar ke qasid gaya nasim gai nama-bar gaya
vo kab sunne lage qasid magar yuun hi suna dena mila kar dusron ki dastan men dastan meri
qasid ke aate aate khat ik aur likh rakhun main janta huun jo vo likhenge javab men
ere the messenger returns, another letter i should prepare,i am aware, what she will reply the poet anticipates that the reply coming from the beloved will be a rejection or unsatisfactory. knowing the beloved's cruel nature, he prepares a counter-argument or a new plea in advance, so he can send it immediately without wasting time, showcasing his persistence in the face of certain refusal.
kya jaane kya likha tha use iztirab men qasid ki laash aai hai khat ke javab men
the couplet turns a simple exchange of letters into a tragedy: the lover’s anxious words remain unknown, yet the response arrives as death itself. the dead courier becomes a metaphor for fate’s cruelty and for communication breaking down at the worst moment. emotionally, it conveys dread, helplessness, and the sense that love’s message has been punished or cut off forever.
qasid payam-e-shauq ko dena bahut na tuul kahna faqat ye un se ki ankhen taras gaiin
koi nam-o-nishan puchhe to ai qasid bata dena takhallus 'daghh' hai vo ashiqon ke dil men rahte hain
the speaker instructs the messenger to give a special “address” if anyone inquires: not a physical location, but a place in feeling. by naming his takhallus as “dagh” and claiming residence in lovers’ hearts, he turns identity into a metaphor for lasting emotional presence. the couplet blends pride and tenderness: true recognition comes through love, not through worldly markers.
mira khat us ne padha padh ke nama-bar se kaha yahi javab hai is ka koi javab nahin
aati hai baat baat mujhe baar baar yaad kahta huun daud daud ke qasid se raah men
the lover is so restless that every small trigger revives the same thought, and the longing turns into physical haste. the “messenger” becomes a symbol of hope and delay: he might bring news, yet he also prolongs waiting. running and repeated questioning show impatience, anxiety, and a heart unable to stay still.
maza jab tha ki mere munh se sunte dastan meri kahan se laega qasid dahan mera zaban meri
tu dekh raha hai jo mira haal hai qasid mujh ko yahi kahna hai ki main kuchh nahin kahta
mazmun sujhte hain hazaron nae nae qasid ye khat nahin mire ghham ki kitab hai
vo aur vaada vasl ka qasid nahin nahin sach sach bata ye lafz unhi ki zaban ke hain
aah qasid to ab talak na phira dil dhadakta hai kya hua hoga
kya mire haal pe sach-much unhen ghham tha qasid tu ne dekha tha sitara sar-e-mizhgan koi
aaya na phir ke ek bhi kuche se yaar ke qasid gaya nasim gai nama-bar gaya
kisi ko bhej ke khat haae ye kaisa azaab aaya ki har ik puchhta hai nama-bar aaya javab aaya
zaban qasid ki 'muztar' kaat li jab un ko khat bheja ki akhir aadmi hai tazkira shayad kahin kar de
vo kab sunne lage qasid magar yuun hi suna dena mila kar dusron ki dastan men dastan meri
qayamat hai ye kah kar us ne lautaya hai qasid ko ki un ka to har ik khat akhiri paighham hota hai
khat-e-shauq ko padh ke qasid se bole ye hai kaun divana khat likhne vaala
pahunche na vahan tak ye dua maang raha huun qasid ko udhar bhej ke dhyan aae hai kya kya
jab us ne mira khat na chhua haath se apne qasid ne bhi chipka diya divar se kaghhaz
Qasid se related curated sher, selected ghazal excerpts aur context-friendly reading flow milega.
Haan, collection links, writer links aur detail links sab Kuch Alfaaz ke internal routes par map kiye gaye hain.
Type filter (Sher/Ghazal/Nazm), featured picks aur similar collections rail use karke fast discovery kar sakte hain.
