ujale apni yadon ke hamare saath rahne do na jaane kis gali men zindagi ki shaam ho jaae

ham ne us ko itna dekha jitna dekha ja sakta tha lekin phir bhi do ankhon se kitna dekha ja sakta tha

aziiz itna hi rakkho ki ji sambhal jaae ab is qadar bhi na chaho ki dam nikal jaae

dil dhadakne ka sabab yaad aaya vo tiri yaad thi ab yaad aaya

yaaro kuchh to zikr karo tum us ki qayamat banhon ka vo jo simatte honge un men vo to mar jaate honge

main to ghhazal suna ke akela khada raha sab apne apne chahne valon men kho gae

tum se bichhad kar zinda hain jaan bahut sharminda hain

sab log jidhar vo hain udhar dekh rahe hain ham dekhne valon ki nazar dekh rahe hain

the couplet contrasts common attention with the speaker’s sharper, second-level observation. while the crowd stares at the beloved, the lover reads the crowd’s gaze—measuring desire, envy, and fascination. it hints at possessiveness and a quiet rivalry: the beloved is one, but the eyes upon them are many. the emotional core is alert, slightly jealous, and intensely self-aware.

shadid pyaas thi phir bhi chhua na paani ko main dekhta raha dariya tiri ravani ko

tumhare shahr ka mausam bada suhana lage main ek shaam chura luun agar bura na lage

log kahte hain ki tu ab bhi khafa hai mujh se teri ankhon ne to kuchh aur kaha hai mujh se

kaun si baat hai tum men aisi itne achchhe kyuun lagte ho

tum kya jaano apne aap se kitna main sharminda huun chhut gaya hai saath tumhara aur abhi tak zinda huun

mujhe tanhai ki aadat hai meri baat chhoden ye liije aap ka ghar aa gaya hai haat chhoden

na ji bhar ke dekha na kuchh baat ki badi aarzu thi mulaqat ki

tum mujhe chhod ke jaoge to mar jaunga yuun karo jaane se pahle mujhe pagal kar do

patthar mujhe kahta hai mira chahne vaala main mom huun us ne mujhe chhu kar nahin dekha

akhri hichki tire zanun pe aae maut bhi main shairana chahta huun

jahan men hone ko ai dost yuun to sab hoga tire labon pe mire lab hon aisa kab hoga

vo chehra kitabi raha samne badi khubsurat padhai hui

ujale apni yadon ke hamare saath rahne do na jaane kis gali men zindagi ki shaam ho jaae

ham ne us ko itna dekha jitna dekha ja sakta tha lekin phir bhi do ankhon se kitna dekha ja sakta tha

aziiz itna hi rakkho ki ji sambhal jaae ab is qadar bhi na chaho ki dam nikal jaae

na ji bhar ke dekha na kuchh baat ki badi aarzu thi mulaqat ki

hamen bhi niind aa jaegi ham bhi so hi jaenge abhi kuchh be-qarari hai sitaro tum to so jaao

yaaro kuchh to zikr karo tum us ki qayamat banhon ka vo jo simatte honge un men vo to mar jaate honge

dil men kisi ke raah kiye ja raha huun main kitna hasin gunah kiye ja raha huun main

tum mujhe chhod ke jaoge to mar jaunga yuun karo jaane se pahle mujhe pagal kar do

tum se bichhad kar zinda hain jaan bahut sharminda hain

sab log jidhar vo hain udhar dekh rahe hain ham dekhne valon ki nazar dekh rahe hain

the couplet contrasts common attention with the speaker’s sharper, second-level observation. while the crowd stares at the beloved, the lover reads the crowd’s gaze—measuring desire, envy, and fascination. it hints at possessiveness and a quiet rivalry: the beloved is one, but the eyes upon them are many. the emotional core is alert, slightly jealous, and intensely self-aware.

patthar mujhe kahta hai mira chahne vaala main mom huun us ne mujhe chhu kar nahin dekha

shadid pyaas thi phir bhi chhua na paani ko main dekhta raha dariya tiri ravani ko

akhri hichki tire zanun pe aae maut bhi main shairana chahta huun

puchh lete vo bas mizaj mira kitna asan tha ilaaj mira

log kahte hain ki tu ab bhi khafa hai mujh se teri ankhon ne to kuchh aur kaha hai mujh se

jahan men hone ko ai dost yuun to sab hoga tire labon pe mire lab hon aisa kab hoga

kaun si baat hai tum men aisi itne achchhe kyuun lagte ho

aate aate mira naam sa rah gaya us ke honton pe kuchh kanpta rah gaya

mujhe tanhai ki aadat hai meri baat chhoden ye liije aap ka ghar aa gaya hai haat chhoden

agar talash karun koi mil hi jaega magar tumhari tarah kaun mujh ko chahega