sherKuch Alfaaz

tamasha-e-dair-o-haram dekhte hain tujhe har bahane se hum dekhte hain the lover claims to be roaming between “dair” (temple) and “haram” (the sacred sanctuary), as if on a religious or cultural outing. but this is only a veil: every journey and every ‘spectacle’ is a pretext to catch a glimpse of the beloved. the couplet fuses sacred spaces with romantic desire, showing how obsession turns the whole world into a route toward one face.

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