Poetry Collection
Misunderstanding is something that mars and spoils human relationship. When cleared, separated friends join hands and become one. It has played critical role in the relationship between lovers. Minor or major misunderstandings help us appreciate the real nature of human beings and how they may either co-exist, or part ways. Some verses around these experiences would be of interest to you.
Total
7
Sher
5
Ghazal
2
Nazm
0
Is collection se writer-diverse top picks for quick reading.
arz-e-ahwal ko gila samjhe kya kaha main ne aap kya samjhe the mention of my condition was a complaint thought to be what was it i said to you, you did not follow me the speaker only wants to share their inner state, but the listener hears it as reproach. the couplet turns on a gap between intention and reception: honest expression becomes “gila” in the other’s mind. its emotional core is the pain of being misunderstood, where even plain words fail to reach the heart.
muqable to ghhalat-fahmiyan badhate hain ye valvale to ghhalat-fahmiyan badhate hain qarib aao to shayad samajh men aa jaae ki fasle to ghhalat-fahmiyan badhate hain hai mere saath mire dushmanon se rabt unhen ye silsile to ghhalat-fahmiyan badhate hain agar hai koi shikayat to mil ke baat karo murasile to ghhalat-fahmiyan badhate hain kisi ne qatl kiya aur saza kisi ko mili ye faisle to ghhalat-fahmiyan badhate hain jo rahzanon ka taavun qubul karte hain vo qafile to ghhalat-fahmiyan badhate hain tanazeat men behtar hai sulh kar lena nae gile to ghhalat-fahmiyan badhate hain ye laghhzishon ka tasalsul ye mazarat paiham ye marhale to ghhalat-fahmiyan badhate hain charaghh-e-haq hain to khamosh kyuun hain vo 'razmi' bina jale to ghhalat-fahmiyan badhate hain muqable to ghalat-fahmiyan badhate hain ye walwale to ghalat-fahmiyan badhate hain qarib aao to shayad samajh mein aa jae ki fasle to ghalat-fahmiyan badhate hain hai mere sath mere dushmanon se rabt unhen ye silsile to ghalat-fahmiyan badhate hain agar hai koi shikayat to mil ke baat karo murasile to ghalat-fahmiyan badhate hain kisi ne qatl kiya aur saza kisi ko mili ye faisle to ghalat-fahmiyan badhate hain jo rahzanon ka taawun qubul karte hain wo qafile to ghalat-fahmiyan badhate hain tanazeat mein behtar hai sulh kar lena nae gile to ghalat-fahmiyan badhate hain ye laghzishon ka tasalsul ye mazarat paiham ye marhale to ghalat-fahmiyan badhate hain charagh-e-haq hain to khamosh kyun hain wo 'razmi' bina jale to ghalat-fahmiyan badhate hain
ek ghalat-fahmi ne dil ka aaina dhundla diya ek ghalat-fahmi se barson ki shanasai gai one misunderstanding fogged the mirror of the heart one misunderstanding rent lifelong friends apart
arz-e-ahwal ko gila samjhe kya kaha main ne aap kya samjhe the mention of my condition was a complaint thought to be what was it i said to you, you did not follow me the speaker only wants to share their inner state, but the listener hears it as reproach. the couplet turns on a gap between intention and reception: honest expression becomes “gila” in the other’s mind. its emotional core is the pain of being misunderstood, where even plain words fail to reach the heart.
muqable to ghhalat-fahmiyan badhate hain ye valvale to ghhalat-fahmiyan badhate hain qarib aao to shayad samajh men aa jaae ki fasle to ghhalat-fahmiyan badhate hain hai mere saath mire dushmanon se rabt unhen ye silsile to ghhalat-fahmiyan badhate hain agar hai koi shikayat to mil ke baat karo murasile to ghhalat-fahmiyan badhate hain kisi ne qatl kiya aur saza kisi ko mili ye faisle to ghhalat-fahmiyan badhate hain jo rahzanon ka taavun qubul karte hain vo qafile to ghhalat-fahmiyan badhate hain tanazeat men behtar hai sulh kar lena nae gile to ghhalat-fahmiyan badhate hain ye laghhzishon ka tasalsul ye mazarat paiham ye marhale to ghhalat-fahmiyan badhate hain charaghh-e-haq hain to khamosh kyuun hain vo 'razmi' bina jale to ghhalat-fahmiyan badhate hain muqable to ghalat-fahmiyan badhate hain ye walwale to ghalat-fahmiyan badhate hain qarib aao to shayad samajh mein aa jae ki fasle to ghalat-fahmiyan badhate hain hai mere sath mere dushmanon se rabt unhen ye silsile to ghalat-fahmiyan badhate hain agar hai koi shikayat to mil ke baat karo murasile to ghalat-fahmiyan badhate hain kisi ne qatl kiya aur saza kisi ko mili ye faisle to ghalat-fahmiyan badhate hain jo rahzanon ka taawun qubul karte hain wo qafile to ghalat-fahmiyan badhate hain tanazeat mein behtar hai sulh kar lena nae gile to ghalat-fahmiyan badhate hain ye laghzishon ka tasalsul ye mazarat paiham ye marhale to ghalat-fahmiyan badhate hain charagh-e-haq hain to khamosh kyun hain wo 'razmi' bina jale to ghalat-fahmiyan badhate hain
ek ghalat-fahmi ne dil ka aaina dhundla diya ek ghalat-fahmi se barson ki shanasai gai one misunderstanding fogged the mirror of the heart one misunderstanding rent lifelong friends apart
ham jo mahfil men aae baithe hain log sab khaar khaae baithe hain saans bhi dar ke lijiye sahab log nazren jamae baithe hain khvab apne na nashr kijiyega log patthar uthae baithe hain jis ko samjho vahi nahin apna log rishte bhulae baithe hain dad-o-tahsin ki na zid kiije log sab dil jalae baithe hain aap ka naam kya liya ham ne log sab tilmilae baithe hain teri mahfil men ho yaqin kis par log sab azmae baithe hain ranj ghhussa hasad jalan gaali log kya kya chhupae baithe hain khush-gumani ki had hai ye 'abrak' log dil men samae baithe hain hum jo mahfil mein aae baithe hain log sab khar khae baithe hain sans bhi dar ke lijiye sahab log nazren jamae baithe hain khwab apne na nashr kijiyega log patthar uthae baithe hain jis ko samjho wahi nahin apna log rishte bhulae baithe hain dad-o-tahsin ki na zid kije log sab dil jalae baithe hain aap ka nam kya liya hum ne log sab tilmilae baithe hain teri mahfil mein ho yaqin kis par log sab aazmae baithe hain ranj ghussa hasad jalan gali log kya kya chhupae baithe hain khush-gumani ki had hai ye 'abrak' log dil mein samae baithe hain
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