shohrat ki bulandi bhi pal bhar ka tamasha hai jis dal pe baithe ho wo tut bhi sakti hai
Poetry Collection
Shohrat
Human beings have a natural desire to earn fame. But doing so in an unscrupulous manner disqualifies him from being a human being in the real sense. The good and bad aspects of fame are presented here in this selection.
Total
25
Sher
24
Ghazal
1
Nazm
0
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hum talib-e-shohrat hain hamein nang se kya kaam badnam agar honge to kya nam na hoga
ishq mujh ko nahin wahshat hi sahi meri wahshat teri shohrat hi sahi if not love, then madness, my feelings deem you be and so be it my craziness is cause of fame for thee the poet adopts a tone of defiant resignation, accepting that his intense passion might be labeled as insanity ('wahshat') rather than true love. however, he cleverly flips the narrative by pointing out that this very obsession is what keeps the beloved in the spotlight. he implies that the beloved's reputation relies on the intensity of his 'madness,' making their relationship symbiotic despite the rejection.
shohrat ki bulandi bhi pal bhar ka tamasha hai jis dal pe baithe ho wo tut bhi sakti hai
hum talib-e-shohrat hain hamein nang se kya kaam badnam agar honge to kya nam na hoga
ishq mujh ko nahin wahshat hi sahi meri wahshat teri shohrat hi sahi if not love, then madness, my feelings deem you be and so be it my craziness is cause of fame for thee the poet adopts a tone of defiant resignation, accepting that his intense passion might be labeled as insanity ('wahshat') rather than true love. however, he cleverly flips the narrative by pointing out that this very obsession is what keeps the beloved in the spotlight. he implies that the beloved's reputation relies on the intensity of his 'madness,' making their relationship symbiotic despite the rejection.
kisi ko be-sabab shohrat nahin milti hai ai 'wahid' unhin ke nam hain duniya mein jin ke kaam achchhe hain
shohrat ki fazaon mein itna na udo 'saghar' parwaz na kho jae in unchi udanon mein
main ise shohrat kahun ya apni ruswai kahun mujh se pahle us gali mein mere afsane gae
ab tu darwaze se apne nam ki takhti utar lafz nange ho gae shohrat bhi gali ho gai
kya puchhte ho kaun hai ye kis ki hai shohrat kya tum ne kabhi 'dagh' ka diwan nahin dekha the couplet is a confident, slightly teasing assertion of the poet’s renown. by answering a question with a sharper question, the speaker implies that the fame is self-evident. “diwan” stands for the poet’s work itself—his verses are presented as the proof of his identity and reputation. the emotional core is pride in artistic achievement and the demand for recognition.
us ghar ki badaulat mere sheron ko hai shohrat wo ghar ki jo is shahr mein badnam bahut hai
ulajh rahe hain bahut log meri shohrat se kisi ko yun to koi mujh se ikhtilaf na tha
bulandi der tak kis shakhs ke hisse mein rahti hai bahut unchi 'imarat har ghadi khatre mein rahti hai
khuli na mujh pe bhi diwangi meri barson mere junun ki shohrat tere bayan se hui
wo junun ko badhae jaenge un ki shohrat hai meri ruswai
meri shohrat ke pichhe hai hath bahut ruswai ka
apne afsane ki shohrat use manzur na thi us ne kirdar badal kar mera qissa likhkha
bikta rahta sar-e-bazar kai qiston mein shukr hai mere khuda ne mujhe shohrat nahin di
miyan ye chadar-e-shohrat tum apne pas rakho ki is se panw jo dhanpen to sar nikalta hai
ghar se us ka bhi nikalna ho gaya aakhir muhaal meri ruswai se shohrat ku-ba-ku us ki bhi thi
mujh se ye puchh rahe hain mere ahbab 'aziz' kya mila shahr-e-sukhan mein tumhein shohrat ke siwa
kaun maslub hua husn ka kirdar ki hum shohrat-e-ishq mein badnam hua yar ki hum
jo aasman ki bulandi ko chhune wala tha wahi minara zamin par dhadam se aaya
'farhat' tere naghmon ki wo shohrat hai jahan mein wallah tera rang-e-sukhan yaad rahega
kho diya shohrat ne apni sher-khwani ka maza dad mil jati hai 'natiq' har ratab yabis ke baad
tujh se waqif hai ek jahan 'nayyar' kya zarurat hai khud-numai ki
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