sherKuch Alfaaz

chup-chap sunti rahti hai pahron shab-e-firaq taswir-e-yar ko hai meri guftugu pasand the speaker is alone in the night of separation, talking to a mere image as if it were alive. the “night” becomes a patient listener, and the portrait becomes a substitute beloved that receives his words. the couplet captures loneliness and longing, where memory turns an inanimate picture into a companion. it also hints at self-deception: only the image “responds” by seeming to approve.

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