Poetry Collection
A woman is half the world. She is also a paragon of beauty as well as a symbol humility. She also stands out as a figure of strength and forbearance. In fact, the richness of her being cannot be ever exhausted in words. Some examples are here for you to appreciate the various facets of woman.
Total
54
Sher
49
Ghazal
5
Is collection se writer-diverse top picks for quick reading.
vajud-e-zan se hai tasvir-e-kaenat men rang isi ke saaz se hai zindagi ka soz-e-darun
allama iqbal presents woman as a source of both outward beauty and inward life-force. the “picture of the universe” becomes vivid through her presence, suggesting completion and harmony. the metaphor of “saz” (instrument) implies a subtle, creative influence whose music becomes life’s inner fervor. the couplet honors womanhood as the giver of meaning, warmth, and intensity to existence.
chalti phirti hui aankhon se azaan dekhi hai main ne jannat to nahin dekhi hai maan dekhi hai
ek muddat se miri maan nahin soi 'tabish' main ne ik baar kaha tha mujhe dar lagta hai
dua ko haat uthate hue larazta huun kabhi dua nahin mangi thi maan ke hote hue
talaq de to rahe ho itab-o-qahr ke saath mira shabab bhi lauta do meri mahr ke saath
ek aurat se vafa karne ka ye tohfa mila jaane kitni auraton ki bad-duaen saath hain
shahr ka tabdil hona shaad rahna aur udaas raunaqen jitni yahan hain auraton ke dam se hain
sab ne maana marne vaala dahshat-gard aur qatil tha maan ne phir bhi qabr pe us ki raj-dulara likkha tha
mitti pe numudar hain paani ke zakhire in men koi aurat se ziyada nahin gahra
tamam paikar-e-badsurti hai mard ki zaat mujhe yaqin hai khuda mard ho nahin sakta
tu aag men ai aurat zinda bhi jali barson sanche men har ik ghham ke chup-chap dhali barson
aurat ko samajhta tha jo mardon ka khilauna us shakhs ko damad bhi vaisa hi mila hai
raushni bhi nahin hava bhi nahin maan ka nemul-badal khuda bhi nahin
aurat apna aap bachae tab bhi mujrim hoti hai aurat apna aap ganvae tab bhi mujrim hoti hai
bint-e-havva huun main ye mira jurm hai aur phir shaeri to kada jurm hai
use ham par to dete hain magar udne nahin dete hamari beti bulbul hai magar pinjre men rahti hai
betiyan baap ki ankhon men chhupe khvab ko pahchanti hain aur koi dusra is khvab ko padh le to bura manti hain
kal apne-ap ko dekha tha maan ki ankhon men ye aina hamen budha nahin batata hai
ek ke ghar ki khidmat ki aur ek ke dil se mohabbat ki donon farz nibha kar us ne saari umr ibadat ki
aurten kaam pe nikli thiin badan ghar rakh kar jism khali jo nazar aae to mard aa baithe
vajud-e-zan se hai tasvir-e-kaenat men rang isi ke saaz se hai zindagi ka soz-e-darun
allama iqbal presents woman as a source of both outward beauty and inward life-force. the “picture of the universe” becomes vivid through her presence, suggesting completion and harmony. the metaphor of “saz” (instrument) implies a subtle, creative influence whose music becomes life’s inner fervor. the couplet honors womanhood as the giver of meaning, warmth, and intensity to existence.
chalti phirti hui aankhon se azaan dekhi hai main ne jannat to nahin dekhi hai maan dekhi hai
ek muddat se miri maan nahin soi 'tabish' main ne ik baar kaha tha mujhe dar lagta hai
dua ko haat uthate hue larazta huun kabhi dua nahin mangi thi maan ke hote hue
betiyan baap ki ankhon men chhupe khvab ko pahchanti hain aur koi dusra is khvab ko padh le to bura manti hain
kal apne-ap ko dekha tha maan ki ankhon men ye aina hamen budha nahin batata hai
bataun kya tujhe ai ham-nashin kis se mohabbat hai main jis duniya men rahta huun vo is duniya ki aurat hai
ek aurat se vafa karne ka ye tohfa mila jaane kitni auraton ki bad-duaen saath hain
shahr ka tabdil hona shaad rahna aur udaas raunaqen jitni yahan hain auraton ke dam se hain
sab ne maana marne vaala dahshat-gard aur qatil tha maan ne phir bhi qabr pe us ki raj-dulara likkha tha
ek ke ghar ki khidmat ki aur ek ke dil se mohabbat ki donon farz nibha kar us ne saari umr ibadat ki
mitti pe numudar hain paani ke zakhire in men koi aurat se ziyada nahin gahra
ye 'auraton men tavaif to dhund lete hain tavaifon men inhen 'auraten nahin miltin
tu aag men ai aurat zinda bhi jali barson sanche men har ik ghham ke chup-chap dhali barson
abhi raushan hua jaata hai rasta vo dekho ek aurat aa rahi hai
raushni bhi nahin hava bhi nahin maan ka nemul-badal khuda bhi nahin
ghar men rahte hue ghhairon ki tarah hoti hain ladkiyan dhaan ke paudon ki tarah hoti hain
aurat apna aap bachae tab bhi mujrim hoti hai aurat apna aap ganvae tab bhi mujrim hoti hai
bint-e-havva huun main ye mira jurm hai aur phir shaeri to kada jurm hai
use ham par to dete hain magar udne nahin dete hamari beti bulbul hai magar pinjre men rahti hai
Aurat se related curated sher, selected ghazal excerpts aur context-friendly reading flow milega.
Haan, collection links, writer links aur detail links sab Kuch Alfaaz ke internal routes par map kiye gaye hain.
Type filter (Sher/Ghazal/Nazm), featured picks aur similar collections rail use karke fast discovery kar sakte hain.
Poetry Collection
A woman is half the world. She is also a paragon of beauty as well as a symbol humility. She also stands out as a figure of strength and forbearance. In fact, the richness of her being cannot be ever exhausted in words. Some examples are here for you to appreciate the various facets of woman.
Total
54
Sher
49
Ghazal
5
Is collection se writer-diverse top picks for quick reading.
vajud-e-zan se hai tasvir-e-kaenat men rang isi ke saaz se hai zindagi ka soz-e-darun
allama iqbal presents woman as a source of both outward beauty and inward life-force. the “picture of the universe” becomes vivid through her presence, suggesting completion and harmony. the metaphor of “saz” (instrument) implies a subtle, creative influence whose music becomes life’s inner fervor. the couplet honors womanhood as the giver of meaning, warmth, and intensity to existence.
chalti phirti hui aankhon se azaan dekhi hai main ne jannat to nahin dekhi hai maan dekhi hai
ek muddat se miri maan nahin soi 'tabish' main ne ik baar kaha tha mujhe dar lagta hai
dua ko haat uthate hue larazta huun kabhi dua nahin mangi thi maan ke hote hue
talaq de to rahe ho itab-o-qahr ke saath mira shabab bhi lauta do meri mahr ke saath
ek aurat se vafa karne ka ye tohfa mila jaane kitni auraton ki bad-duaen saath hain
shahr ka tabdil hona shaad rahna aur udaas raunaqen jitni yahan hain auraton ke dam se hain
sab ne maana marne vaala dahshat-gard aur qatil tha maan ne phir bhi qabr pe us ki raj-dulara likkha tha
mitti pe numudar hain paani ke zakhire in men koi aurat se ziyada nahin gahra
tamam paikar-e-badsurti hai mard ki zaat mujhe yaqin hai khuda mard ho nahin sakta
tu aag men ai aurat zinda bhi jali barson sanche men har ik ghham ke chup-chap dhali barson
aurat ko samajhta tha jo mardon ka khilauna us shakhs ko damad bhi vaisa hi mila hai
raushni bhi nahin hava bhi nahin maan ka nemul-badal khuda bhi nahin
aurat apna aap bachae tab bhi mujrim hoti hai aurat apna aap ganvae tab bhi mujrim hoti hai
bint-e-havva huun main ye mira jurm hai aur phir shaeri to kada jurm hai
use ham par to dete hain magar udne nahin dete hamari beti bulbul hai magar pinjre men rahti hai
betiyan baap ki ankhon men chhupe khvab ko pahchanti hain aur koi dusra is khvab ko padh le to bura manti hain
kal apne-ap ko dekha tha maan ki ankhon men ye aina hamen budha nahin batata hai
ek ke ghar ki khidmat ki aur ek ke dil se mohabbat ki donon farz nibha kar us ne saari umr ibadat ki
aurten kaam pe nikli thiin badan ghar rakh kar jism khali jo nazar aae to mard aa baithe
vajud-e-zan se hai tasvir-e-kaenat men rang isi ke saaz se hai zindagi ka soz-e-darun
allama iqbal presents woman as a source of both outward beauty and inward life-force. the “picture of the universe” becomes vivid through her presence, suggesting completion and harmony. the metaphor of “saz” (instrument) implies a subtle, creative influence whose music becomes life’s inner fervor. the couplet honors womanhood as the giver of meaning, warmth, and intensity to existence.
chalti phirti hui aankhon se azaan dekhi hai main ne jannat to nahin dekhi hai maan dekhi hai
ek muddat se miri maan nahin soi 'tabish' main ne ik baar kaha tha mujhe dar lagta hai
dua ko haat uthate hue larazta huun kabhi dua nahin mangi thi maan ke hote hue
betiyan baap ki ankhon men chhupe khvab ko pahchanti hain aur koi dusra is khvab ko padh le to bura manti hain
kal apne-ap ko dekha tha maan ki ankhon men ye aina hamen budha nahin batata hai
bataun kya tujhe ai ham-nashin kis se mohabbat hai main jis duniya men rahta huun vo is duniya ki aurat hai
ek aurat se vafa karne ka ye tohfa mila jaane kitni auraton ki bad-duaen saath hain
shahr ka tabdil hona shaad rahna aur udaas raunaqen jitni yahan hain auraton ke dam se hain
sab ne maana marne vaala dahshat-gard aur qatil tha maan ne phir bhi qabr pe us ki raj-dulara likkha tha
ek ke ghar ki khidmat ki aur ek ke dil se mohabbat ki donon farz nibha kar us ne saari umr ibadat ki
mitti pe numudar hain paani ke zakhire in men koi aurat se ziyada nahin gahra
ye 'auraton men tavaif to dhund lete hain tavaifon men inhen 'auraten nahin miltin
tu aag men ai aurat zinda bhi jali barson sanche men har ik ghham ke chup-chap dhali barson
abhi raushan hua jaata hai rasta vo dekho ek aurat aa rahi hai
raushni bhi nahin hava bhi nahin maan ka nemul-badal khuda bhi nahin
ghar men rahte hue ghhairon ki tarah hoti hain ladkiyan dhaan ke paudon ki tarah hoti hain
aurat apna aap bachae tab bhi mujrim hoti hai aurat apna aap ganvae tab bhi mujrim hoti hai
bint-e-havva huun main ye mira jurm hai aur phir shaeri to kada jurm hai
use ham par to dete hain magar udne nahin dete hamari beti bulbul hai magar pinjre men rahti hai
Aurat se related curated sher, selected ghazal excerpts aur context-friendly reading flow milega.
Haan, collection links, writer links aur detail links sab Kuch Alfaaz ke internal routes par map kiye gaye hain.
Type filter (Sher/Ghazal/Nazm), featured picks aur similar collections rail use karke fast discovery kar sakte hain.
