Top 20 Sher by Stretching of limbs

ab bhi barsat ki raaton mein badan tutta hai jag uthti hain ajab khwahishen angdai ki till even now in rainy climes, my limbs are aching, sore the yen to stretch out languidly then comes to the fore

ab bhi barsat ki raaton mein badan tutta hai jag uthti hain ajab khwahishen angdai ki till even now in rainy climes, my limbs are aching, sore the yen to stretch out languidly then comes to the fore

angdai bhi wo lene na pae utha ke hath dekha jo mujh ko chhod diye muskura ke hath she couldn't even stretch out with her arms upraised seeing me she smiled and composed herself all fazed

angdai bhi wo lene na pae utha ke hath dekha jo mujh ko chhod diye muskura ke hath she couldn't even stretch out with her arms upraised seeing me she smiled and composed herself all fazed

ab to us ke bare mein tum jo chaho wo kah dalo wo angdai mere kamre tak to badi ruhani thi

ilahi kya ilaqa hai wo jab leta hai angdai mere sine mein sab zakhmon ke tanke tut jate hain

ilahi kya ilaqa hai wo jab leta hai angdai mere sine mein sab zakhmon ke tanke tut jate hain

tum phir usi ada se angdai le ke hans do aa jaega palat kar guzra hua zamana

tum phir usi ada se angdai le ke hans do aa jaega palat kar guzra hua zamana

apne markaz ki taraf mail-e-parwaz tha husn bhulta hi nahin aalam teri angdai ka

apne markaz ki taraf mail-e-parwaz tha husn bhulta hi nahin aalam teri angdai ka

donon hathon se lutti hai hamein kitni zalim hai teri angdai

donon hathon se lutti hai hamein kitni zalim hai teri angdai

kaun angdai le raha hai 'adam' do jahan ladkhadae jate hain

kaun angdai le raha hai 'adam' do jahan ladkhadae jate hain

sun chuke jab haal mera le ke angdai kaha kis ghazab ka dard zalim tere afsane mein tha

sun chuke jab haal mera le ke angdai kaha kis ghazab ka dard zalim tere afsane mein tha

kaun ye le raha hai angdai aasmanon ko nind aati hai the poet turns a small human act—stretching—into a cosmic event. by personifying the heavens as drowsy, he suggests a wave of languor spreading through the universe, as though the beloved’s movement or the night’s hush has cast a spell. the couplet holds playful wonder and romantic awe, enlarging an intimate moment into vast imagery.

kaun ye le raha hai angdai aasmanon ko nind aati hai the poet turns a small human act—stretching—into a cosmic event. by personifying the heavens as drowsy, he suggests a wave of languor spreading through the universe, as though the beloved’s movement or the night’s hush has cast a spell. the couplet holds playful wonder and romantic awe, enlarging an intimate moment into vast imagery.

dil ka kya haal kahun subh ko jab us but ne le ke angdai kaha naz se hum jate hain how to describe my state when at the crack of dawn she stretched in lagour and said it was time to be gone the speaker’s pain peaks at morning—the moment of parting. calling the beloved an “idol” suggests overwhelming beauty and emotional worship, but also coldness. her leisurely stretch and coy “i’m going” show indifference masked as charm, turning farewell into a wound. the couplet captures helpless heartbreak against graceful cruelty.

dil ka kya haal kahun subh ko jab us but ne le ke angdai kaha naz se hum jate hain how to describe my state when at the crack of dawn she stretched in lagour and said it was time to be gone the speaker’s pain peaks at morning—the moment of parting. calling the beloved an “idol” suggests overwhelming beauty and emotional worship, but also coldness. her leisurely stretch and coy “i’m going” show indifference masked as charm, turning farewell into a wound. the couplet captures helpless heartbreak against graceful cruelty.

lut gae ek hi angdai mein aisa bhi hua umr-bhar phirte rahe ban ke jo hoshiyar bahut

lut gae ek hi angdai mein aisa bhi hua umr-bhar phirte rahe ban ke jo hoshiyar bahut

dariya-e-husn aur bhi do hath badh gaya angdai us ne nashshe mein li jab utha ke hath

dariya-e-husn aur bhi do hath badh gaya angdai us ne nashshe mein li jab utha ke hath

shayad wo din pahla din tha palken bojhal hone ka mujh ko dekhte hi jab us ki angdai sharmai hai

shayad wo din pahla din tha palken bojhal hone ka mujh ko dekhte hi jab us ki angdai sharmai hai

be-sakhta bikhar gai jalwon ki kaenat aaina tut kar teri angdai ban gaya

be-sakhta bikhar gai jalwon ki kaenat aaina tut kar teri angdai ban gaya

kya kya dil-e-muztar ke arman machalte hain taswir-e-qayamat hai zalim teri angdai