safar mein dhup to hogi jo chal sako to chalo

safar men dhuup to hogi jo chal sako to chalo sabhi hain bhiid men tum bhi nikal sako to chalo kisi ke vaste rahen kahan badalti hain tum apne aap ko khud hi badal sako to chalo yahan kisi ko koi rasta nahin deta mujhe gira ke agar tum sambhal sako to chalo kahin nahin koi suraj dhuan dhuan hai faza khud apne aap se bahar nikal sako to chalo yahi hai zindagi kuchh khvab chand ummiden inhin khilaunon se tum bhi bahal sako to chalo safar mein dhup to hogi jo chal sako to chalo sabhi hain bhid mein tum bhi nikal sako to chalo kisi ke waste rahen kahan badalti hain tum apne aap ko khud hi badal sako to chalo yahan kisi ko koi rasta nahin deta mujhe gira ke agar tum sambhal sako to chalo kahin nahin koi suraj dhuan dhuan hai faza khud apne aap se bahar nikal sako to chalo yahi hai zindagi kuchh khwab chand ummiden inhin khilaunon se tum bhi bahal sako to chalo

vo afsana jise anjam tak laana na ho mumkin use ik khub-surat mod de kar chhodna achchha

main akela hi chala tha janib-e-manzil magar log saath aate gae aur karvan banta gaya

apne man men duub kar pa ja suraghh-e-zindagi tu agar mera nahin banta na ban apna to ban the couplet urges deep self-exploration: the “clue of life” is not outside, but within one’s own consciousness. the speaker refuses shallow dependence and asks for inner sovereignty—if you can’t be mine, don’t be anyone’s tool. the emotional core is a call to awaken selfhood and live with purpose. freedom here means becoming truly oneself.

tire mathe pe ye anchal bahut hi khuub hai lekin tu is anchal se ik parcham bana leti to achchha tha यह शे’र इसरार-उल-हक़ मजाज़ के मशहूर अशआर में से एक है। माथे पे आँचल होने के कई मायने हैं। उदाहरण के लिए शर्म व लाज का होना, मूल्यों का रख रखाव होना आदि और भारतीय समाज में इन चीज़ों को नारी का शृंगार समझा जाता है। मगर जब नारी के इस शृंगार को पुरुष सत्तात्मक समाज में नारी की कमज़ोरी समझा जाता है तो नारी का व्यक्तित्व संकट में पड़ जाता है। इसी तथ्य को शायर ने अपने शे’र का विषय बनाया है। शायर नारी को सम्बोधित करते हुए कहते हैं कि यद्यपि तुम्हारे माथे पर शर्म व हया का आँचल ख़ूब लगता है मगर उसे अपनी कमज़ोरी मत बना। वक़्त का तक़ाज़ा है कि आप अपने इस आँचल से क्रांति का झंडा बनाएं और इस ध्वज को अपने अधिकारों के लिए उठाएं। shafaq sopori

apne ehsas se chhu kar mujhe sandal kar do

apne ehsas se chhu kar mujhe sandal kar do main ki sadiyon se adhura huun mukammal kar do na tumhen hosh rahe aur na mujhe hosh rahe is qadar tuut ke chaho mujhe pagal kar do tum hatheli ko mire pyaar ki mehndi se rango apni ankhon men mire naam ka kajal kar do is ke saae men mire khvab dahak utthenge mere chehre pe chamakta hua anchal kar do dhuup hi dhuup huun main tuut ke barso mujh par is qadar barso miri ruuh men jal-thal kar do jaise sahraon men har shaam hava chalti hai is tarah mujh men chalo aur mujhe jal-thal kar do tum chhupa lo mira dil ot men apne dil ki aur mujhe meri nigahon se bhi ojhal kar do masala huun to nigahen na churao mujh se apni chahat se tavajjoh se mujhe hal kar do apne ghham se kaho har vaqt mire saath rahe ek ehsan karo is ko musalsal kar do mujh pe chha jaao kisi aag ki surat janan aur miri zaat ko sukha hua jangal kar do apne ehsas se chhu kar mujhe sandal kar do main ki sadiyon se adhura hun mukammal kar do na tumhein hosh rahe aur na mujhe hosh rahe is qadar tut ke chaho mujhe pagal kar do tum hatheli ko mere pyar ki mehndi se rango apni aankhon mein mere nam ka kajal kar do is ke sae mein mere khwab dahak utthenge mere chehre pe chamakta hua aanchal kar do dhup hi dhup hun main tut ke barso mujh par is qadar barso meri ruh mein jal-thal kar do jaise sahraon mein har sham hawa chalti hai is tarah mujh mein chalo aur mujhe jal-thal kar do tum chhupa lo mera dil ot mein apne dil ki aur mujhe meri nigahon se bhi ojhal kar do masala hun to nigahen na churao mujh se apni chahat se tawajjoh se mujhe hal kar do apne gham se kaho har waqt mere sath rahe ek ehsan karo is ko musalsal kar do mujh pe chha jao kisi aag ki surat jaanan aur meri zat ko sukha hua jangal kar do

hayat le ke chalo kaenat le ke chalo chalo to saare zamane ko saath le ke chalo

khincho na kamanon ko na talvar nikalo jab top muqabil ho to akhbar nikalo neither bow and arrow nor a sword do you require pubish a newspaper when faced with cannon fire

mujh pe hain saikdon ilzam mere sath na chal

mujh pe hain saikdon ilzam mire saath na chal tu bhi ho jaega badnam mire saath na chal tu nai subah ke suraj ki hai ujli si kiran main huun ik dhuul bhari shaam mire saath na chal apni khushiyan mire alam se mansub na kar mujh se mat maang mira naam mire saath na chal tu bhi kho jaegi tapke hue aansu ki tarah dekh ai gardish-e-ayyam mire saath na chal meri divar ko tu kitna sambhalega 'shakil' tutta rahta huun har gaam mire saath na chal mujh pe hain saikdon ilzam mere sath na chal tu bhi ho jaega badnam mere sath na chal tu nai subah ke suraj ki hai ujli si kiran main hun ek dhul bhari sham mere sath na chal apni khushiyan mere aalam se mansub na kar mujh se mat mang mera nam mere sath na chal tu bhi kho jaegi tapke hue aansu ki tarah dekh ai gardish-e-ayyam mere sath na chal meri diwar ko tu kitna sambhaalega 'shakil' tutta rahta hun har gam mere sath na chal

baare duniya men raho ghham-zada ya shaad raho aisa kuchh kar ke chalo yaan ki bahut yaad raho meer taqi meer contrasts life’s shifting states—grief and joy—with the one enduring demand: purposeful action. the couplet suggests emotions come and go, but what truly matters is leaving a mark. “walking from here” hints at life’s departure, so the speaker urges deeds that outlast the self. the emotional core is a sober, motivating call to make one’s life memorable through meaningful work.

ai 'zauq' takalluf men hai taklif sarasar aram men hai vo jo takalluf nahin karta save trouble, in formality, zauq nothing else can be at ease he then remains he who, eschews formality the poet argues that social etiquette and formal behavior ('takalluf'), often adopted to please others, actually impose a heavy burden of suffering on the individual. true peace of mind is found only in simplicity, where one is free from the exhausting obligations of artificial manners and societal expectations.

kuchh kahne ka waqt nahin ye kuchh na kaho khamosh raho

kuchh kahne ka vaqt nahin ye kuchh na kaho khamosh raho ai logo khamosh raho haan ai logo khamosh raho sach achchha par us ke jilau men zahr ka hai ik pyala bhi pagal ho kyuun nahaq ko suqrat bano khamosh raho un ka ye kahna suraj hi dharti ke phere karta hai sar-ankhon par suraj hi ko ghumne do khamosh raho mahbas men kuchh habs hai aur zanjir ka aahan chubhta hai phir socho haan phir socho haan phir socho khamosh raho garm aansu aur thandi aahen man men kya kya mausam hain is bagiya ke bhed na kholo sair karo khamosh raho ankhen muund kinare baitho man ke rakkho band kivad 'insha'-ji lo dhaga lo aur lab si lo khamosh raho kuchh kahne ka waqt nahin ye kuchh na kaho khamosh raho ai logo khamosh raho han ai logo khamosh raho sach achchha par us ke jilau mein zahr ka hai ek pyala bhi pagal ho kyun nahaq ko suqraat bano khamosh raho un ka ye kahna suraj hi dharti ke phere karta hai sar-ankhon par suraj hi ko ghumne do khamosh raho mahbas mein kuchh habs hai aur zanjir ka aahan chubhta hai phir socho han phir socho han phir socho khamosh raho garm aansu aur thandi aahen man mein kya kya mausam hain is bagiya ke bhed na kholo sair karo khamosh raho aankhen mund kinare baitho man ke rakkho band kiwad 'insha'-ji lo dhaga lo aur lab si lo khamosh raho

charagh-e-tur jalao bada andhera hai

charaghh-e-tur jalao bada andhera hai zara naqab uthao bada andhera hai abhi to subh ke mathe ka rang kaala hai abhi fareb na khaao bada andhera hai vo jin ke hote hain khurshid astinon men unhen kahin se bulao bada andhera hai mujhe tumhari nigahon pe e'timad nahin mire qarib na aao bada andhera hai faraz-e-arsh se tuuta hua koi taara kahin se dhund ke laao bada andhera hai basiraton pe ujalon ka khauf taari hai mujhe yaqin dilao bada andhera hai jise zaban-e-khirad men sharab kahte hain vo raushni si pilao bada andhera hai ba-nam-e-zohra-jzbinan-e-khitta-e-firdaus kisi kiran ko jagao bada andhera hai charagh-e-tur jalao bada andhera hai zara naqab uthao bada andhera hai abhi to subh ke mathe ka rang kala hai abhi fareb na khao bada andhera hai wo jin ke hote hain khurshid aastinon mein unhen kahin se bulao bada andhera hai mujhe tumhaari nigahon pe e'timad nahin mere qarib na aao bada andhera hai faraaz-e-arsh se tuta hua koi tara kahin se dhund ke lao bada andhera hai basiraton pe ujalon ka khauf tari hai mujhe yaqin dilao bada andhera hai jise zaban-e-khirad mein sharab kahte hain wo raushni si pilao bada andhera hai ba-nam-e-zohra-jzbinan-e-khitta-e-firdaus kisi kiran ko jagao bada andhera hai

bichhadne ka irada hai to mujh se mashvara kar lo mohabbat men koi bhi faisla zaati nahin hota

vatan ki fikr kar nadan musibat aane vaali hai tiri barbadiyon ke mashvare hain asmanon men fear for your country, trouble will soon arise words of your destruction have been spoken by the skies allama iqbal addresses the careless person with a stark warning: a nation’s safety depends on vigilance and concern for the homeland. “heavens” suggests higher powers, destiny, or the larger forces of the world already moving against you. the emotional core is urgency—wake up and take responsibility before decline becomes irreversible.

dhup mein niklo ghataon mein naha kar dekho

dhuup men niklo ghataon men naha kar dekho zindagi kya hai kitabon ko hata kar dekho sirf ankhon se hi duniya nahin dekhi jaati dil ki dhadkan ko bhi binai bana kar dekho pattharon men bhi zaban hoti hai dil hote hain apne ghar ke dar-o-divar saja kar dekho vo sitara hai chamakne do yunhi ankhon men kya zaruri hai use jism bana kar dekho fasla nazron ka dhoka bhi to ho sakta hai vo mile ya na mile haath badha kar dekho dhup mein niklo ghataon mein naha kar dekho zindagi kya hai kitabon ko hata kar dekho sirf aankhon se hi duniya nahin dekhi jati dil ki dhadkan ko bhi binai bana kar dekho pattharon mein bhi zaban hoti hai dil hote hain apne ghar ke dar-o-diwar saja kar dekho wo sitara hai chamakne do yunhi aankhon mein kya zaruri hai use jism bana kar dekho fasla nazron ka dhoka bhi to ho sakta hai wo mile ya na mile hath badha kar dekho

bhigi hui aankhon ka ye manzar na milega

bhigi hui ankhon ka ye manzar na milega ghar chhod ke mat jaao kahin ghar na milega phir yaad bahut aaegi zulfon ki ghani shaam jab dhuup men saaya koi sar par na milega aansu ko kabhi os ka qatra na samajhna aisa tumhen chahat ka samundar na milega is khvab ke mahaul men be-khvab hain ankhen jab niind bahut aaegi bistar na milega ye soch lo ab akhiri saaya hai mohabbat is dar se uthoge to koi dar na milega bhigi hui aankhon ka ye manzar na milega ghar chhod ke mat jao kahin ghar na milega phir yaad bahut aaegi zulfon ki ghani sham jab dhup mein saya koi sar par na milega aansu ko kabhi os ka qatra na samajhna aisa tumhein chahat ka samundar na milega is khwab ke mahaul mein be-khwab hain aankhen jab nind bahut aaegi bistar na milega ye soch lo ab aakhiri saya hai mohabbat is dar se uthoge to koi dar na milega

dushmani laakh sahi khatm na kiije rishta dil mile ya na mile haath milate rahiye enmity however strong, the contact never break hearts and minds may be apart, the hands must ever shake

apna gham le ke kahin aur na jaya jae

apna ghham le ke kahin aur na jaaya jaae ghar men bikhri hui chizon ko sajaya jaae jin charaghhon ko havaon ka koi khauf nahin un charaghhon ko havaon se bachaya jaae khud-kushi karne ki himmat nahin hoti sab men aur kuchh din abhi auron ko sataya jaae baaghh men jaane ke adab hua karte hain kisi titli ko na phulon se udaya jaae kya hua shahr ko kuchh bhi to dikhai de kahin yuun kiya jaae kabhi khud ko rulaya jaae ghar se masjid hai bahut duur chalo yuun kar len kisi rote hue bachche ko hansaya jaae apna gham le ke kahin aur na jaya jae ghar mein bikhri hui chizon ko sajaya jae jin charaghon ko hawaon ka koi khauf nahin un charaghon ko hawaon se bachaya jae khud-kushi karne ki himmat nahin hoti sab mein aur kuchh din abhi auron ko sataya jae bagh mein jaane ke aadab hua karte hain kisi titli ko na phulon se udaya jae kya hua shahr ko kuchh bhi to dikhai de kahin yun kiya jae kabhi khud ko rulaya jae ghar se masjid hai bahut dur chalo yun kar len kisi rote hue bachche ko hansaya jae

sanwar nok-palak abruon mein kham kar de

sanvar nok-palak abruon men kham kar de gire pade hue lafzon ko mohtaram kar de ghhurur us pe bahut sajta hai magar kah do isi men us ka bhala hai ghhurur kam kar de yahan libas ki qimat hai aadmi ki nahin mujhe gilas bade de sharab kam kar de chamakne vaali hai tahrir meri qismat ki koi charaghh ki lau ko zara sa kam kar de kisi ne chuum ke ankhon ko ye dua di thi zamin teri khuda motiyon se nam kar de sanwar nok-palak abruon mein kham kar de gire pade hue lafzon ko mohtaram kar de ghurur us pe bahut sajta hai magar kah do isi mein us ka bhala hai ghurur kam kar de yahan libas ki qimat hai aadmi ki nahin mujhe gilas bade de sharab kam kar de chamakne wali hai tahrir meri qismat ki koi charagh ki lau ko zara sa kam kar de kisi ne chum ke aankhon ko ye dua di thi zamin teri khuda motiyon se nam kar de

safar mein dhup to hogi jo chal sako to chalo

safar men dhuup to hogi jo chal sako to chalo sabhi hain bhiid men tum bhi nikal sako to chalo kisi ke vaste rahen kahan badalti hain tum apne aap ko khud hi badal sako to chalo yahan kisi ko koi rasta nahin deta mujhe gira ke agar tum sambhal sako to chalo kahin nahin koi suraj dhuan dhuan hai faza khud apne aap se bahar nikal sako to chalo yahi hai zindagi kuchh khvab chand ummiden inhin khilaunon se tum bhi bahal sako to chalo safar mein dhup to hogi jo chal sako to chalo sabhi hain bhid mein tum bhi nikal sako to chalo kisi ke waste rahen kahan badalti hain tum apne aap ko khud hi badal sako to chalo yahan kisi ko koi rasta nahin deta mujhe gira ke agar tum sambhal sako to chalo kahin nahin koi suraj dhuan dhuan hai faza khud apne aap se bahar nikal sako to chalo yahi hai zindagi kuchh khwab chand ummiden inhin khilaunon se tum bhi bahal sako to chalo

vo afsana jise anjam tak laana na ho mumkin use ik khub-surat mod de kar chhodna achchha

main akela hi chala tha janib-e-manzil magar log saath aate gae aur karvan banta gaya

apne man men duub kar pa ja suraghh-e-zindagi tu agar mera nahin banta na ban apna to ban the couplet urges deep self-exploration: the “clue of life” is not outside, but within one’s own consciousness. the speaker refuses shallow dependence and asks for inner sovereignty—if you can’t be mine, don’t be anyone’s tool. the emotional core is a call to awaken selfhood and live with purpose. freedom here means becoming truly oneself.

tire mathe pe ye anchal bahut hi khuub hai lekin tu is anchal se ik parcham bana leti to achchha tha यह शे’र इसरार-उल-हक़ मजाज़ के मशहूर अशआर में से एक है। माथे पे आँचल होने के कई मायने हैं। उदाहरण के लिए शर्म व लाज का होना, मूल्यों का रख रखाव होना आदि और भारतीय समाज में इन चीज़ों को नारी का शृंगार समझा जाता है। मगर जब नारी के इस शृंगार को पुरुष सत्तात्मक समाज में नारी की कमज़ोरी समझा जाता है तो नारी का व्यक्तित्व संकट में पड़ जाता है। इसी तथ्य को शायर ने अपने शे’र का विषय बनाया है। शायर नारी को सम्बोधित करते हुए कहते हैं कि यद्यपि तुम्हारे माथे पर शर्म व हया का आँचल ख़ूब लगता है मगर उसे अपनी कमज़ोरी मत बना। वक़्त का तक़ाज़ा है कि आप अपने इस आँचल से क्रांति का झंडा बनाएं और इस ध्वज को अपने अधिकारों के लिए उठाएं। shafaq sopori

apne ehsas se chhu kar mujhe sandal kar do

apne ehsas se chhu kar mujhe sandal kar do main ki sadiyon se adhura huun mukammal kar do na tumhen hosh rahe aur na mujhe hosh rahe is qadar tuut ke chaho mujhe pagal kar do tum hatheli ko mire pyaar ki mehndi se rango apni ankhon men mire naam ka kajal kar do is ke saae men mire khvab dahak utthenge mere chehre pe chamakta hua anchal kar do dhuup hi dhuup huun main tuut ke barso mujh par is qadar barso miri ruuh men jal-thal kar do jaise sahraon men har shaam hava chalti hai is tarah mujh men chalo aur mujhe jal-thal kar do tum chhupa lo mira dil ot men apne dil ki aur mujhe meri nigahon se bhi ojhal kar do masala huun to nigahen na churao mujh se apni chahat se tavajjoh se mujhe hal kar do apne ghham se kaho har vaqt mire saath rahe ek ehsan karo is ko musalsal kar do mujh pe chha jaao kisi aag ki surat janan aur miri zaat ko sukha hua jangal kar do apne ehsas se chhu kar mujhe sandal kar do main ki sadiyon se adhura hun mukammal kar do na tumhein hosh rahe aur na mujhe hosh rahe is qadar tut ke chaho mujhe pagal kar do tum hatheli ko mere pyar ki mehndi se rango apni aankhon mein mere nam ka kajal kar do is ke sae mein mere khwab dahak utthenge mere chehre pe chamakta hua aanchal kar do dhup hi dhup hun main tut ke barso mujh par is qadar barso meri ruh mein jal-thal kar do jaise sahraon mein har sham hawa chalti hai is tarah mujh mein chalo aur mujhe jal-thal kar do tum chhupa lo mera dil ot mein apne dil ki aur mujhe meri nigahon se bhi ojhal kar do masala hun to nigahen na churao mujh se apni chahat se tawajjoh se mujhe hal kar do apne gham se kaho har waqt mere sath rahe ek ehsan karo is ko musalsal kar do mujh pe chha jao kisi aag ki surat jaanan aur meri zat ko sukha hua jangal kar do

vatan ki fikr kar nadan musibat aane vaali hai tiri barbadiyon ke mashvare hain asmanon men fear for your country, trouble will soon arise words of your destruction have been spoken by the skies allama iqbal addresses the careless person with a stark warning: a nation’s safety depends on vigilance and concern for the homeland. “heavens” suggests higher powers, destiny, or the larger forces of the world already moving against you. the emotional core is urgency—wake up and take responsibility before decline becomes irreversible.

dhup mein niklo ghataon mein naha kar dekho

dhuup men niklo ghataon men naha kar dekho zindagi kya hai kitabon ko hata kar dekho sirf ankhon se hi duniya nahin dekhi jaati dil ki dhadkan ko bhi binai bana kar dekho pattharon men bhi zaban hoti hai dil hote hain apne ghar ke dar-o-divar saja kar dekho vo sitara hai chamakne do yunhi ankhon men kya zaruri hai use jism bana kar dekho fasla nazron ka dhoka bhi to ho sakta hai vo mile ya na mile haath badha kar dekho dhup mein niklo ghataon mein naha kar dekho zindagi kya hai kitabon ko hata kar dekho sirf aankhon se hi duniya nahin dekhi jati dil ki dhadkan ko bhi binai bana kar dekho pattharon mein bhi zaban hoti hai dil hote hain apne ghar ke dar-o-diwar saja kar dekho wo sitara hai chamakne do yunhi aankhon mein kya zaruri hai use jism bana kar dekho fasla nazron ka dhoka bhi to ho sakta hai wo mile ya na mile hath badha kar dekho

bhigi hui aankhon ka ye manzar na milega

bhigi hui ankhon ka ye manzar na milega ghar chhod ke mat jaao kahin ghar na milega phir yaad bahut aaegi zulfon ki ghani shaam jab dhuup men saaya koi sar par na milega aansu ko kabhi os ka qatra na samajhna aisa tumhen chahat ka samundar na milega is khvab ke mahaul men be-khvab hain ankhen jab niind bahut aaegi bistar na milega ye soch lo ab akhiri saaya hai mohabbat is dar se uthoge to koi dar na milega bhigi hui aankhon ka ye manzar na milega ghar chhod ke mat jao kahin ghar na milega phir yaad bahut aaegi zulfon ki ghani sham jab dhup mein saya koi sar par na milega aansu ko kabhi os ka qatra na samajhna aisa tumhein chahat ka samundar na milega is khwab ke mahaul mein be-khwab hain aankhen jab nind bahut aaegi bistar na milega ye soch lo ab aakhiri saya hai mohabbat is dar se uthoge to koi dar na milega

dushmani laakh sahi khatm na kiije rishta dil mile ya na mile haath milate rahiye enmity however strong, the contact never break hearts and minds may be apart, the hands must ever shake

hayat le ke chalo kaenat le ke chalo chalo to saare zamane ko saath le ke chalo

khincho na kamanon ko na talvar nikalo jab top muqabil ho to akhbar nikalo neither bow and arrow nor a sword do you require pubish a newspaper when faced with cannon fire

mujh pe hain saikdon ilzam mere sath na chal

mujh pe hain saikdon ilzam mire saath na chal tu bhi ho jaega badnam mire saath na chal tu nai subah ke suraj ki hai ujli si kiran main huun ik dhuul bhari shaam mire saath na chal apni khushiyan mire alam se mansub na kar mujh se mat maang mira naam mire saath na chal tu bhi kho jaegi tapke hue aansu ki tarah dekh ai gardish-e-ayyam mire saath na chal meri divar ko tu kitna sambhalega 'shakil' tutta rahta huun har gaam mire saath na chal mujh pe hain saikdon ilzam mere sath na chal tu bhi ho jaega badnam mere sath na chal tu nai subah ke suraj ki hai ujli si kiran main hun ek dhul bhari sham mere sath na chal apni khushiyan mere aalam se mansub na kar mujh se mat mang mera nam mere sath na chal tu bhi kho jaegi tapke hue aansu ki tarah dekh ai gardish-e-ayyam mere sath na chal meri diwar ko tu kitna sambhaalega 'shakil' tutta rahta hun har gam mere sath na chal

baare duniya men raho ghham-zada ya shaad raho aisa kuchh kar ke chalo yaan ki bahut yaad raho meer taqi meer contrasts life’s shifting states—grief and joy—with the one enduring demand: purposeful action. the couplet suggests emotions come and go, but what truly matters is leaving a mark. “walking from here” hints at life’s departure, so the speaker urges deeds that outlast the self. the emotional core is a sober, motivating call to make one’s life memorable through meaningful work.

zindagi yunhi bahut kam hai mohabbat ke liye ruuth kar vaqt ganvane ki zarurat kya hai

sanwar nok-palak abruon mein kham kar de

sanvar nok-palak abruon men kham kar de gire pade hue lafzon ko mohtaram kar de ghhurur us pe bahut sajta hai magar kah do isi men us ka bhala hai ghhurur kam kar de yahan libas ki qimat hai aadmi ki nahin mujhe gilas bade de sharab kam kar de chamakne vaali hai tahrir meri qismat ki koi charaghh ki lau ko zara sa kam kar de kisi ne chuum ke ankhon ko ye dua di thi zamin teri khuda motiyon se nam kar de sanwar nok-palak abruon mein kham kar de gire pade hue lafzon ko mohtaram kar de ghurur us pe bahut sajta hai magar kah do isi mein us ka bhala hai ghurur kam kar de yahan libas ki qimat hai aadmi ki nahin mujhe gilas bade de sharab kam kar de chamakne wali hai tahrir meri qismat ki koi charagh ki lau ko zara sa kam kar de kisi ne chum ke aankhon ko ye dua di thi zamin teri khuda motiyon se nam kar de

kuchh kahne ka waqt nahin ye kuchh na kaho khamosh raho

kuchh kahne ka vaqt nahin ye kuchh na kaho khamosh raho ai logo khamosh raho haan ai logo khamosh raho sach achchha par us ke jilau men zahr ka hai ik pyala bhi pagal ho kyuun nahaq ko suqrat bano khamosh raho un ka ye kahna suraj hi dharti ke phere karta hai sar-ankhon par suraj hi ko ghumne do khamosh raho mahbas men kuchh habs hai aur zanjir ka aahan chubhta hai phir socho haan phir socho haan phir socho khamosh raho garm aansu aur thandi aahen man men kya kya mausam hain is bagiya ke bhed na kholo sair karo khamosh raho ankhen muund kinare baitho man ke rakkho band kivad 'insha'-ji lo dhaga lo aur lab si lo khamosh raho kuchh kahne ka waqt nahin ye kuchh na kaho khamosh raho ai logo khamosh raho han ai logo khamosh raho sach achchha par us ke jilau mein zahr ka hai ek pyala bhi pagal ho kyun nahaq ko suqraat bano khamosh raho un ka ye kahna suraj hi dharti ke phere karta hai sar-ankhon par suraj hi ko ghumne do khamosh raho mahbas mein kuchh habs hai aur zanjir ka aahan chubhta hai phir socho han phir socho han phir socho khamosh raho garm aansu aur thandi aahen man mein kya kya mausam hain is bagiya ke bhed na kholo sair karo khamosh raho aankhen mund kinare baitho man ke rakkho band kiwad 'insha'-ji lo dhaga lo aur lab si lo khamosh raho

bhanvar se lado tund lahron se uljho kahan tak chaloge kinare kinare

bichhadne ka irada hai to mujh se mashvara kar lo mohabbat men koi bhi faisla zaati nahin hota

tanha tanha dukh jhelenge mahfil mahfil gaenge

tanha tanha dukh jhelenge mahfil mahfil gaenge jab tak aansu paas rahenge tab tak giit sunaenge tum jo socho vo tum jaano ham to apni kahte hain der na karna ghar aane men varna ghar kho jaenge bachchon ke chhote hathon ko chand sitare chhune do chaar kitaben padh kar ye bhi ham jaise ho jaenge achchhi surat vaale saare patthar-dil hon mumkin hai ham to us din raae denge jis din dhoka khaenge kin rahon se safar hai asan kaun sa rasta mushkil hai ham bhi jab thak kar baithenge auron ko samjhaenge tanha tanha dukh jhelenge mahfil mahfil gaenge jab tak aansu pas rahenge tab tak git sunaenge tum jo socho wo tum jaano hum to apni kahte hain der na karna ghar aane mein warna ghar kho jaenge bachchon ke chhote hathon ko chand sitare chhune do chaar kitaben padh kar ye bhi hum jaise ho jaenge achchhi surat wale sare patthar-dil hon mumkin hai hum to us din rae denge jis din dhoka khaenge kin rahon se safar hai aasan kaun sa rasta mushkil hai hum bhi jab thak kar baithenge auron ko samjhaenge