Poetry Collection

Zulf

Tresses have been a stock image of romantic poetry in Urdu. The classical poets have used it more liberally than the modern poets and it is with the tresses that they have configured the beloved in most fascinating terms. Here are some examples for you to read and marvel at the beauty of the beloved and her representation in poetry.

Total

52

Sher

50

Ghazal

2

Nazm

0

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aah ko chahiye ek umr asar hote tak kaun jita hai teri zulf ke sar hote tak a prayer needs a lifetime, an answer to obtain who can live until the time that you decide to deign ghalib laments the disparity between the brevity of human life and the time required to win a beloved's heart. while a plea for love might eventually be heard, life is too short to wait for that moment. the 'conquering of tresses' metaphorically refers to untangling the complexities of the relationship, a task that outlasts the lover's life.

hum hue tum hue ki 'mir' hue us ki zulfon ke sab asir hue whether me or you, or miir it may be are prisoners of her tresses for eternity meer taqi meer says love levels everyone: speaker, listener, even the poet himself. the beloved’s “tresses” are a metaphor for the snares of beauty that bind the heart. the couplet carries a half-playful, half-resigned tone: no one escapes this captivity. it suggests an inevitable, shared fate in عشق.

aah ko chahiye ek umr asar hote tak kaun jita hai teri zulf ke sar hote tak a prayer needs a lifetime, an answer to obtain who can live until the time that you decide to deign ghalib laments the disparity between the brevity of human life and the time required to win a beloved's heart. while a plea for love might eventually be heard, life is too short to wait for that moment. the 'conquering of tresses' metaphorically refers to untangling the complexities of the relationship, a task that outlasts the lover's life.

hum hue tum hue ki 'mir' hue us ki zulfon ke sab asir hue whether me or you, or miir it may be are prisoners of her tresses for eternity meer taqi meer says love levels everyone: speaker, listener, even the poet himself. the beloved’s “tresses” are a metaphor for the snares of beauty that bind the heart. the couplet carries a half-playful, half-resigned tone: no one escapes this captivity. it suggests an inevitable, shared fate in عشق.

kai chand the sar-e-asman ki chamak chamak ke palat gae na lahu mere hi jigar mein tha na tumhaari zulf siyah thi

nind us ki hai dimagh us ka hai raaten us ki hain teri zulfen jis ke bazu par pareshan ho gain ghalib describes the ultimate romantic success, stating that the person who holds the beloved in their arms possesses everything. the scattering of hair on the lover's arm symbolizes deep intimacy, granting that person true rest and the right to be proud, while others are left restless.

jab yar ne utha kar zulfon ke baal bandhe tab main ne apne dil mein lakhon khayal bandhe when my beloved raised her arms to gather up her tresses a million desires gathered in my heart and got tied up in a tangle.

kuchh bikhri hui yaadon ke qisse bhi bahut the kuchh us ne bhi baalon ko khula chhod diya tha

zahid ne mera hasil-e-iman nahin dekha rukh par teri zulfon ko pareshan nahin dekha the priest has seen my piety, he hasn't seen your grace he has not seen your tresses strewn across your face

hath tuten main ne gar chhedi hon zulfen aap ki aap ke sar ki qasam baad-e-saba thi main na tha

uljha hai panw yar ka zulf-e-daraaz mein lo aap apne dam mein sayyaad aa gaya the couplet plays on a witty reversal: the beloved’s long hair becomes a “trap,” and the lover who once seemed the hunter turns into the caught one. the image suggests that beauty ensnares even the one who thinks he controls the chase. emotionally, it celebrates love’s power to disarm pride and flip roles in an instant.

sarak kar aa gain zulfen jo in makhmur aankhon tak main ye samjha ki mai-khane pe badli chhai jati hai

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