Love

aur bhi dukh hain zamane mein mohabbat ke siwa rahaten aur bhi hain wasl ki rahat ke siwa sorrows other than love's longing does this life provide comforts other than a lover's union too abide

aurat haan aur na ka eik nihaayat hi dilchasp murakkab hai. inkaar aur iqraar kuchh is tarah aurat ke wujood mein khalt-malt ho gaya hai ki baaz auqaat iqraar-inkaar maloom hota hai aur inkaar-iqraar.

ujale apni yaadon ke hamare sath rahne do na jaane kis gali mein zindagi ki sham ho jae

daagh to do hi cheezon par sajta hai, dil aur jawaani.

ishq ne 'ghaalib' nikamma kar diya warna hum bhi aadmi the kaam ke ghalib, a worthless person, this love has made of me otherwise a man of substance i once used to be the poet humorously yet sorrowfully confesses that the pursuit of love has consumed all his worldly potential. he reflects on his former self, claiming that before falling in love, he possessed great utility and capability, which has now been wasted away by his passion.

vaishyaon ke ishq mein eik khaas baat qaabil-e-zikr hai. unka ishq unke roz-marra ke maamool par bahut kam asar daalta hai.

ye ishq nahin aasan itna hi samajh lije ek aag ka dariya hai aur dub ke jaana hai

zindagi sirf mohabbat ki khushboo hi nahi, zehreele kaanton ka jungal bhi hai.

ranjish hi sahi dil hi dukhane ke liye aa aa phir se mujhe chhod ke jaane ke liye aa

be-sabab dushmani aur badsoorat aurat se ishq haqeeqat mein dushmani aur ishq ki sabse na-khaalis qism hai. ye shuru hi wahaan se hui hai jahaan ‘aql khatm ho jaave hai.

us ki yaad aai hai sanso zara aahista chalo dhadkanon se bhi ibaadat mein khalal padta hai

vaishya sirf usi mard par apne dil ke tamaam darwaaze kholegi, jisse use mohabbat ho. har aane jaane wale mard ke liye woh aisa nahi kar sakti.

mohabbat mein nahin hai farq jine aur marne ka usi ko dekh kar jite hain jis kafir pe dam nikle in love there is no difference 'tween life and death do know the very one for whom i die, life too does bestow the couplet says that true love dissolves the boundary between life and death: both become equally acceptable states. the lover’s survival depends on the beloved’s presence, yet that same beloved is so cruel or powerful that a single look can kill. this tension—being sustained and destroyed by the same sight—captures the intensity and helpless devotion of عشق.

mohabbat kitni khaufnaak cheez hoti hai. tum eik ajnabi ko apna maalik bana kar tamaam tar taaqat uske haath mein de dete ho. dukh dene ki, khushi dene ki, udaas karne ki taaqat.

ek muddat se teri yaad bhi aai na hamein aur hum bhul gae hon tujhe aisa bhi nahin the couplet holds a quiet contradiction: the beloved hasn’t been consciously remembered for ages, yet the bond hasn’t ended. the speaker separates “not thinking of you” from “forgetting you,” suggesting love can go silent without dying. it conveys emotional numbness, distance, and a lingering attachment that survives even in absence.

eik ba-ismat aurat ke seene mein mohabbat se aari dil ho sakta hai aur iske bar-aks chakle ki eik adna-tareen vaishya mohabbat se bharpoor dil ki maalik ho sakti hai.

achchha khasa baithe baithe gum ho jata hun ab main aksar main nahin rahta tum ho jata hun

jab duniya premee aur peetam ko milne nahi deti to dil ka saaz tadap uthta hai aur qudrat geet banaati hai.

wo to khush-bu hai hawaon mein bikhar jaega masala phul ka hai phul kidhar jaega

kisi bhi aurat se ishq kiya jaaye to tagda eik hi qism ka banta hai ‘husn, ishq aur maut’ ya ‘aashiq, maashooq aur vasl’.

actress banne se peshtar aurat ko ishq-o-mohabbat ki talkhiyon aur mithas ke alaawa aur bahut see cheezon se aashna hona chahiye. isliye ki jab woh kaimre ke saamne aaye to apne carrector ko acchhi tarah adaa kar sake.

hosh walon ko khabar kya be-khudi kya chiz hai ishq kije phir samajhiye zindagi kya chiz hai

ab ke hum bichhde to shayad kabhi khwabon mein milen jis tarah sukhe hue phul kitabon mein milen should we now be parted, in dreams we might be found like dried flowers found in books, fragile, fraying browned

mohabbat karne wale nidar ho jaate hain, khauf ka koi jazba unhein baandh nahi sakta.

ishq par zor nahin hai ye wo aatish 'ghaalib' ki lagae na lage aur bujhae na bane one has no power over love, it is that flame, to wit, which neither can be set alight, nor extinguished once lit the couplet presents love as an uncontrollable inner blaze. it arrives on its own terms and refuses to obey the lover’s will, so both starting and stopping it lie beyond human power. the metaphor of “fire” captures love’s consuming intensity and the speaker’s helpless surrender to it.

mohabbat meri kamzori hai, nasha hai.

hua hai tujh se bichhadne ke ba'd ye ma'lum ki tu nahin tha tere sath ek duniya thi

chupke chupke raat din aansu bahana yaad hai hum ko ab tak aashiqi ka wo zamana yaad hai

ishq nazuk-mizaj hai behad aql ka bojh utha nahin sakta

kis kis ko bataenge judai ka sabab hum tu mujh se khafa hai to zamane ke liye aa