Top 20 Sher by Moon is a stock image

us ke chehre ki chamak ke samne sada laga aasman pe chand pura tha magar aadha laga

us ke chehre ki chamak ke samne sada laga aasman pe chand pura tha magar aadha laga

kal chaudhwin ki raat thi shab bhar raha charcha tera kuchh ne kaha ye chand hai kuchh ne kaha chehra tera t'was a full moon out last night, all evening there was talk of you some people said it was the moon,and some said that it was you

kal chaudhwin ki raat thi shab bhar raha charcha tera kuchh ne kaha ye chand hai kuchh ne kaha chehra tera t'was a full moon out last night, all evening there was talk of you some people said it was the moon,and some said that it was you

itne ghane baadal ke pichhe kitna tanha hoga chand

eid ka chand tum ne dekh liya chand ki eid ho gai hogi

eid ka chand tum ne dekh liya chand ki eid ho gai hogi

har ek raat ko mahtab dekhne ke liye main jagta hun tera khwab dekhne ke liye

har ek raat ko mahtab dekhne ke liye main jagta hun tera khwab dekhne ke liye

kai chand the sar-e-asman ki chamak chamak ke palat gae na lahu mere hi jigar mein tha na tumhaari zulf siyah thi

kai chand the sar-e-asman ki chamak chamak ke palat gae na lahu mere hi jigar mein tha na tumhaari zulf siyah thi

wo chand kah ke gaya tha ki aaj niklega to intizar mein baitha hua hun sham se main

phul gul shams o qamar sare hi the par hamein un mein tumhin bhae bahut the couplet sets up a whole universe of admired beauties—nature and the heavens—then quietly overturns it by choosing the beloved above all. flowers and celestial bodies become metaphors for different forms of beauty and attraction, but none compares to the beloved’s pull. the emotional core is devoted preference: in a world full of wonders, the heart singles out one person as supreme.

chand se tujh ko jo de nisbat so be-insaf hai chand ke munh par hain chhain tera mukhda saf hai

wo chand kah ke gaya tha ki aaj niklega to intizar mein baitha hua hun sham se main

mujh ko malum hai mahbub-parasti ka azab der se chand nikalna bhi ghalat lagta hai

bechain is qadar tha ki soya na raat bhar palkon se likh raha tha tera nam chand par

panw sakit ho gae 'sarwat' kisi ko dekh kar ek kashish mahtab jaisi chehra-e-dilbar mein thi

chand bhi hairan dariya bhi pareshani mein hai aks kis ka hai ki itni raushni pani mein hai

lutf-e-shab-e-mah ai dil us dam mujhe hasil ho ek chand baghal mein ho ek chand muqabil ho

wo kaun tha jo din ke ujale mein kho gaya ye chand kis ko dhundne nikla hai sham se

ye kis zohra-jabin ki anjuman mein aamad aamad hai bichhaya hai qamar ne chandni ka farsh mahfil mein

raat ke shayad ek baje hain sota hoga mera chand

chand mein tu nazar aaya tha mujhe main ne mahtab nahin dekha tha

kabhi to aasman se chand utre jam ho jae tumhaare nam ki ek khub-surat sham ho jae

ruswa karegi dekh ke duniya mujhe 'qamar' is chandni mein un ko bulane ko jae kaun

gul ho mahtab ho aaina ho khurshid ho mir apna mahbub wahi hai jo ada rakhta ho the poet says that mere outward beauty—like a rose, moonlight, a shining mirror, or the sun’s radiance—is not enough to be truly lovable. what makes someone his “beloved” is ‘ada’: an inner grace expressed through manner, poise, and a captivating way of being. the images list different kinds of brightness and beauty, then the couplet crowns ‘ada’ as the real criterion of attraction.

dekha hilal-e-id to tum yaad aa gae is mahwiyat mein id hamari guzar gai

falak pe chand sitare nikalte hain har shab sitam yahi hai nikalta nahin hamara chand

hum ne us chehre ko bandha nahin mahtab-misal hum ne mahtab ko us rukh ke mumasil bandha